The conclusion to the epic urban saga of 'The Lies We Tell...' Roni seeks revenge on Tank because she feels as if Tank had something to do with Bri being shot. So she takes matters into her own hands.

Solange is unhappy. She's a meter maid in Tours, working in the rain, subject to verbal abuse from those she cites. Her husband Patrick is consumed by the work of finishing their new house: carpet, tile, faucets. He's also a hothead, subjecting Sonange to tantrums. While she's often quiet and withdrawn, she longs to be a singer. When by chance she meets Mylène, an accomplished, beautiful Parisian writer she admires, Solange gives her a demo tape. Mylène is encouraging, a friendship of sorts develops, and when Solange despairs after a series of personal, emotional setbacks, she heads for Mylène's doorstep in Paris. Does a singing career await, and what about Patrick?

Ten erotic vignettes from eight different directors.

A private chauffeur drives you around, wherever you like, whenever you like, but do you even know who or what drives you?

Oslo family the Monsens recieve uncle Pavel's house on the south coast of Norway after his passing. Mr. Monsen is also under the assumption that he has won 5000NOK in the lottery, though things are not as they seem. On an old record, the little girls hear uncle Pavel tell the story of a lost treasure buried somewhere in the house, but to find its location, one must solve 4 riddles.

How LA Learned to Love Modern Art. A lesson in how a few renegade artists built an art scene from scratch.

Fontamara is a village in the Marsica, forgotten by all but God and its inhabitants are called 'cafoni' (boors). Berardo Viola wants to marry Elvira but only after gaining enough money to buy some land and in order to reach his aim he has the idea of going to a great city. When Maria Grazia is raped by the fascists, Berardo and Antonio decide to leave Fontamara and go to Rome. Here they are swindled by a lawyer and afterwards they are invited by an antifascist to a restaurant where they are arrested by the police because of some subversive papers they had.

A hill in Kyrgyzstan inhabited by men, women, some children. Smoke, birds, a waste dump like a Leviathan. Among them, a traumatized former soldier, a grieving mother, young people deprived of a future, living and facing their destiny.

Arthur Sellmann is marrying Irene, and his friend, the spiritual Diana makes him read his future in the palm of his hands every week. Maybe he shouldn't have started believing what he is told.

When a young man's village is destroyed by a band of thugs, he seeks help from a great kung-fu master, but his real lessons come from a drunk old man, he basically learns kung fu by accident and seeks his revenge.

Some Analog Lines is a playfully philosophical, surprisingly personal essay film that examines the dichotomy between digital technology and the artistic process of filmmaking. It is about animation, computers, clay, celluloid; a paper mask; a wooden shelf. More importantly, it is about what we respond to when we watch a film, and why.

While excavating near the Pyramids, Dr. Leonhardt finds a small box with a map to the treasures of the Pharaoh Ramessess II. On his way to deliver this to the local authorities, he is kidnapped by his nemesis Dr. Bent. Before Bent can retrieve the papyrus map, Karen, who is Leonhardt's student assistant, and John, Leonhardt's son take the map to look for Leonhardt. They soon find that Bent is in hot pursuit and they figure that the only way to save Leonhardt is to be the first to the treasure so that they could ransom the Doctor from Bent. But Bent has other plans for all three of them.

Arata Kagami seeks to get the Hyper Zecter just like Souji Tendou, so he tries to emulate Tendou. Once he realizes that he has to be himself, the Hyper Zecter appears and allows him to transform into Kamen Rider Gatack Hyper Form.

An African refugee's quiet existence in a sleepy mountain town in the south of France is upended by the arrival of a charismatic Catholic priest, whom she recognizes as the warlord who slaughtered her family.

A personal take on working with Harold Pinter via intimate conversations with actors, directors and writers who share their experiences of the man and his work.

When an ex-con takes a job as a handyman for an unstable elderly woman to avoid a parole violation, it becomes a choice he may regret.