Mitterrand et la télé
May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.
1956, naissance d'un nouveau monde
Strange Object
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
PROGRESS Chapter 85: Progro.Naut
PROGRESS debuts in BOURNEMOUTH, with Chapter 85: Progro.Naut
Boat
During World War II, a group of 10 survivors from Madras get stranded in the ocean in a small boat, which unexpectedly stops and sinks mid-journey, and they are forced to take some drastic measures to save themselves.
America Undercover: Life Afterlife
When journalist Masha finally gives up trying to find happiness with Dmitry, an older man who was also her boss, she falls for the much younger Yuri Kozakov - handsome, attentive and seemingly wealthy. But after a hasty marriage, Masha soon begins to notices strange things about Yuri's lifestyle and behavior.
Projota - AMADMOL (A Milenar Arte de Meter o Louco)
Legendary Epics Yarns and Fables Part 2: Stan Brakhage
This film is a limited portrait of Stan Brakhage. The subject attempts to describe the experience that he is involved in by means of immediately responding to the aural and visual stimuli which surround and affect him. Brakhage involves the viewer in the subjective experience of the space in which he is seated, the camera, lights and technicians which created the experiential process. He further extends the parameters of the film's scope through the interjection of real or possibly apparent silence. -S.G., from The Film-makers' Coop
Charles Aznavour - Live au Palais des Congrès
What No One Knows
Two friends enter into an agreement they intend to keep secret, but their lives start to implode, as the breadth of the decision unravels before them.
A Trap
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
La sposa del Nilo
La Sposa del Nilo (1911) was a proto-epic, where you could sense the Italian filmmakers (Enrico Guazzoni in this case) gearing up to the gigantic imaginings of Cabiria and Quo Vadis just a few years on. The film wanted to impress you with its stateliness and scale; at time the central action (a young virgin is drowned to appease Isis and ensure that the Nile floods) became lost in the crowded frame – but that just reminded you that early cinema audiences look that much more intently at what was going on, and picked up on details that our lazier eyes sometimes miss.
The Foolish Frog
A farmer wanted words to go with the tune he was playing when he saw a frog sitting on the bank of the stream. The frog did something silly which gave the farmer the words for his song. The farmer went to the corner store to sing his song for people there.
Hello Stranger
An astronaut lands on an unknown planet. Everything is foreign.