Inside a cold and rusty bunker, Irina and Georgi endure the aftermath of a nuclear holocaust. Georgi´s heavy radiation sickness and imminent death prompts Irina to repair his old and beloved guitar so he can hear it one last time.

As a freelance illustrator and perfectionist, Maya’s life is fun fun fun, but also busy busy busy. She perfectly pulls through her work assignments and social activities, thanks to a supportive ‘inner voice’ whom she affectionately calls her ‘Little Motivator’. But when Maya suddenly gets a full-on panic attack and has to slow down for a while, her deepest fear becomes reality: she can no longer be perfect… Maya and her Little Motivator set out to get her back on track ASAP, while struggling to accept that ‘good enough’ might just really be good enough.

This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.

Memories can be blocked, but they can also be invented. Psychology professor Eiko works with people who were traumatized by the 2011 earthquake and tsunami disaster. But the topic affects her more personally than she wants to admit. Narrative structures begin to intertwine, reality becomes ambiguous. Like a surgeon, SHINOZAKI dissects the human mind in this complex yet moving film.

An epic global celebration of our planet and what we need to do to reverse climate change. Sprinkled with musical performances, Dear Earth also contains well-known climate activists, creators, and celebs who will all share ways to make our lives more sustainable.

Azhagar, son of a police constable, is tempted to take bad habits seeing his father in his younger days. Azhagar along with his friends incur the wrath of everyone though they are good-hearted and ready to help others. Fate comes in the form of rich and influential Kazhuvanadhan's family. His sons Karutha Pandi and Viruman are feared by everyone. The brothers mistake their sister of falling in love with Azhagar and kills her. They cover it up as suicide. Now they go behind Azhagar. But sequence of events leaves Kazhuvanathan dead and the blame falls on the four friends. In a bid to take revenge on them, Viruman hires a contract killer Pandi (Vikranth), who is in the business only to educate his young brother. Whats happens after this forms the climax. It is gore and bloodshed all the way.

A housewife covertly works in a high-class brothel in Tokyo with other married women. She never wants her husband to know that she is a prostitute. The brothel and its employees were making good money, but after the accidental death of one housewife, things begin to go wrong.

Ali misses the lavish party nights in Hamburg's Kiez: Ms. Melanie, Baby Bobby and the family's tile company have been his everyday life since he became a father. How can he make it clear to the young mother that there is still life next to the baby? Melanie can be persuaded to a wellness weekend with the friends, but only if Ali takes his father's role seriously.

A pair of travelling salesmen try to unload coffins in a series of small towns and get caught up in sketch-comedy anecdotes.

A 30-year-old woman strikes up a friendship with two teenage boys, whose rivalry for her attention develops menacing undertones.