1941 and the war culminates. The wife of a lieutenant and a sergeant fall madly in love. Times and circumstances -military service, marriage, friendship between the two men- forbid this love, but do not negate it. When the lieutenant is injured and taken to hospital, the two lovers, against all odds, dare the only possible way out: he defects, she leaves her husband, and they begin a journey without return towards the border.

A bizarre adventure in which a young boy is chased by a masked phantom holding a severed arm in a graveyard. A man with one arm appears and is handed the severed arm by the phantom. Then a giant woman appears enveloping the boy. An unsettling and delirious apocalyptic atmosphere pervades the movie, designed as a trailer for a "film of the future."

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

Almost Elvis is a searing documentary that chronicles and attempts to explain the cult of personality that is the Elvis impersonator. Filmmakers tail a handful of Elvis impersonators from around the country who are all vying to win the 1999 Elvis World Championship in -- where else? -- Memphis, Tennessee.

A beautiful stranger, Yan-Hong (who is one of the Roses), wanders into Inspector Liang's office, takes her gear off, then turns him into a zombie-servant of the Evil God. Policeman Cheng tries to get his wife, who is also an Inspector and his boss, in the mood for sex, but she handcuffs him and walks off. Ah-Kong and his sister, Sao Mui, are out for a stroll. Ah-Kong is also trying to stop his lovely wife Mannie from posing for nude modelling. Yan-Hong is arrested by Cheng and is interrogated, then she reports to her superior, the leather-clad Dai-Jeh ("Big Sister"), who practices her evil laugh and hands out a whipping as punishment. Later, a dozy Taoist priest is called in to exorcise the Beauty and her Evil Roses. The priest fails, but lays the groundwork for the final showdown between good and evil.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

The rich, aristocratic Katarina Hassel have an architect renovate her mansion. Katarina fall in love with the young architect, Gunnar Stenwall. Alas, he doesn't fall in love with her. But perhaps if Gunnar would meet her identical sister, who works in Stockholm as a waitress, he would fall in love with her instead? So Katarina travels to Stockholm to act as her non-existing sister.

An eccentric millionaire hides $3 million of gold somewhere in the Rocky Mountains, luring thousands out on a wild treasure hunt in search of riches and redemption.

1942, and a spectacular wartime birth in the depths of winter: a young russian nurse unexpectedly goes into labour and, all alone and in freezing temperatures, gives birth to her daughter Tamara in a field on the banks of the Volga. The most personal film to date from co-directors Tamara Trampe and Johann Feindt is dedicated to Tamara's own family history. The search for her unknown father who, as a russian officer, made the young nurse pregnant, is complicated by the fact that her mother has never come to terms with her wartime trauma and worn family photos only seem to show happy-go-lucky life before the war. But the director won't give up so easily and, through a mixture of personal childhood recollections and conversations with relatives and former nurses who were on the front in Ukraine, she puts together the pieces of the puzzle.

In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.

A picture of the life of the Danish people from the late 1820s to the introduction of the free constitution in 1849. A fictional character, Rasmus Nielsen, travels around the country, first as a traveling teacher, later in other positions, and through his experiences we are introduced to the conditions of various population groups. The central figure in the portrayal of historical figures is the politician Orla Lehmann.

An original documentary filmed over the course of seven years through the Northern Territory, Western Queensland, and South Australia. Australia is the driest inhabited content on earth. In this documentary, the team explores Australia’s deserts and arid landscapes to discover some of the plants and wildlife that inhabit Australia’s Outback.

From the manipulation of the London interbank interest rate to the Epstein affair, a look back at the scandals that have shaken the financial world over the last twenty years. How can we assess the extent of bankers' responsibility?

Utamaro was an artist who lived in Edo (which was later to become modern-day Tokyo) in the late 18th century. This film, which has a complex and wide-ranging storyline, recreates the world of that time, as it appeared in Utamaro's paintings.

Two friends just find any temporary jobs to get by. One of them quits his job as a waiter to move to work as a messenger; the other is working as a taxi driver. The messenger, in his comings and goings at night, go through many offices, private homes and bars and will be in the most varied situations: some of them dark, sometimes sinister and pathetic and some even pleasant.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.