The second part of Lenin al-Ramly and Nader Galaal’s trilogy “Bekheet and Adeela”. A gang of drugs dealers finances Bekheet and Adeela’s parliament campaign. At the end, Bekheet and Adeela figured out that the gang has its hidden agenda, they enter the elections as independents, become members and finally overcome the gang.

Three lawyers, brought by friendship but separated by interests, Fathi Nofal, who turns from a committed lawyer to an opportunist, while Ali al-Zanati joins religious extremist groups to make financial gains , and the third Mohsen only works as a simple employee away from conflict.

Ramadan is a poor young employee who wants to marry his fiancée Alia but can't afford it. He plans to steal and hide the employees' salary bag, then turn himself in and serve his sentence so that he can get married after. Upon his release, he finds out that another gang stole the money bag.

From the pen of Yoshikawa Eiji comes this exciting story. The Naruto Strait separates Tokushima from the islands of Awaji and Honshu. On Tokushima the mad lord dreams of conquest and forges a bloody revolt against the Tokugawa shogunate. A mysterious swordsman named Noriyuki Gennojo has crossed Naruto’s waters to uncover the Awa clan’s secrets. He puts his life on the line after finding a testament of Awa’s secrets, written in blood by a dying man. Joining Noriyuki are a female ninja who loves him, and the beautiful daughter of an enemy who’s sworn to kill him. Awa’s defenders willl stop at nothing to prevent the blood-soaked letter from reaching the shogun.

Promotional video celebrating 20 years of the Naruto animation project.

The film turns to university student occupations during the fight against the PEC of the End of the World, at the end of 2016.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau

Witness a remarkable coming-of-age story as we track a young leopard's journey from rookie to royalty in South Africa's lethal Big Five landscape. When we first meet Jack, he's clumsy, fearful, and weak, but he's a fast learner - and he'll need to be. He's destined for a showdown with the area's current leopard monarch, an alpha male with a real mean streak. We follow Jack as he hones his skills and builds up muscle for the ultimate catfight. It's a battle where only the winner will walk out alive.

The movie unfolds after Sam Archibald is taken to the Demon Realm. His brother, Wyatt Archibald, is released from a psychiatric facility by Father Augusto with a singular mission: to rescue Sam. To succeed, Wyatt must rely on the support of his trusted allies, but the journey ahead is fraught with peril and challenges.

An enthusiastic grandfather sits with children in a Parisian park talking about pigeons. First. their physical appearance—eye, wings and tail, and color—and their varieties. Then, he encourages the children to imitate their walk. He points out courtship and mating rituals, then provides an illustrated discussion of how they eat. This section is punctuated by a flock of pigeons fighting over a small, hard ball each wants to eat; the narrator's describes it as if it were a soccer match. He concludes with a discussion of pigeons taking off, landing, and flying; he uses slow motion and stop-time photography to show his audience.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)