A Spring for the Thirsty
A parable centering on an old man who lives a secluded life in the desert, alone with only his memories and photographs. His wellspring, once a source of joy and hope for thirsty passersby, is now rarely used. No longer able to find comfort in his memories, he turns all his photographs to face the walls.
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The Red Head
A red-haired boy is his mother's punching bag; only his father's presence is a great comfort to him, but this weak man is under the shrew's thumb. His pain is so great he feels suicidal.
Geisterkatzen (1)
Terra Nullius or: How to Be a Nationalist
Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.
HERO...
A loner finally gets out of his boring routine while having a bath.
Madly
Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.
Meathook Massacre
3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?
Jin
Many people believe that ghosts are real, and that these beings truly exist - though there is not a single mention of their existence in the sacred pages of the noble Al-Quran. However, the holy texts of the Al-Quran warn us about the negative influences from demons, devils and spirits. In the film “Jin”, we reinvestigate the disturbances that we encounter which are commonly associated to ghosts and such. “Jin” is a classic horror film that revolves around a young married couple: Syafiq and Lily. Syafiq is a business owner who strives to improve his family’s quality of life by buying a house for his beloved wife. Lily, upon seeing a place that is spacious and beautiful, immediately falls in love with it. What this couple doesn’t realize however, is that the house has a history of changing hands often and has stories of serious disturbances.
Los tres a caballo
Piggy Bank
Animated adaptation of Kir Bulychyov's sci-fi short fiction.
Grenzland
In southern Burgenland, Austria, 18-year-old Renate is found dead in a wooded area. Investigator Elfriede Jandrasits, who is known for her tenacity at the Eisenstadt Criminal Police Office, takes on the case. She is under a lot of time pressure because her husband's retirement party is imminent.
The Pigeon People
Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
Punla
"Punla" is the story of a childless loving couple. Manny who always wanted to have a child, is impotent. Instead, he asked his friend, Zaldy to provide the "seed" (punla) for his beautiful wife, Jenny.
Frida og det urolige hjertet
The Crane and the Giraffe
What happens when a port crane and a cute giraffe fell in love with each other?
Zero: A Spy Story
Cut Piece
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.