Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.

A documentary about F.W. Murnau.

UFC 204: Bisping vs. Henderson 2 was a mixed martial arts event produced by the Ultimate Fighting Championship held on October 8, 2016 at the Manchester Arena in Manchester, England. The event was headlined by a UFC Middleweight Championship bout between current champion Michael Bisping and the former Pride Welterweight, Pride Middleweight and former Strikeforce Light Heavyweight Champion Dan Henderson. The pairing met previously in July 2009 at UFC 100 with Henderson taking the victory via second round highlight reel knockout.

Mexican feature film

Spike has just put Tyke to bed for his nap when Tom and Jerry chase out the door to Tyke's crib, waking him up. This gives Tyke an attack of hiccups. Spike warns Tom not to wake him up again, which of course is all Jerry needs.

Mr. Placard, impresario of shock, lost the headliner of his show, Elia Tarti. Amédée introduces himself, he can highlight his gifts of fantasy. Randomly along the way, Amédée notices a seductive hitchhiker named Cigale. This one disappears again, kidnapped by Prince Kanaga. Assisted by a friend, Amédée flies in his footsteps and discovers in Nice that Cigale is none other than Elia Tari, capricious, disdainful and snobbish star.

With war raging about her and soldiers closing in, the wounded missionary Gladys Aylward (as portrayed in the movie, The Inn of the Sixth Happiness) sets out on the most difficult journey of her life - a 100-mile trek over the mountains to a safe haven. But it's not her own safety that concerns this little woman with big faith. It's the safety and well being of the 100 orphaned children in her care. Watch as Gladys' strength and faith are stretched to the limit, all for the sake of the children.

The Stooges are running the local drugstore and mix up a potion that a desperate businessman decides to sell as scotch. The Stooges impersonate Scotsmen at a party to fool the prospective buyer. Their usual antics disrupt the party, ending when a barrel of their "scotch" explodes and floods the whole house.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Amy's dreams of a happy life with her partner, John and their new unborn baby. Her dreams become a nightmare of death and decay when a visitor from another world comes to Earth seeking an unusual food source: fetuses fused with it's own alien DNA.

Captain Bob Hayworth, his brother Lieutenant Gilroy Hayworth and Captain Derek Marbury are in a World-War 1 trench on the front-lines in France. Bob Hayworth resents Marbury greatly as the latter had married the girl, Lucy Neville, Marbury was courting in pre-war London. Ordered to go on a night patrol, the cowardly Gilroy committed suicide rather than face his fear. Bob and Derek arrange it to appear that Bob had been killed by a shell-burst, and Derek, with his face camouflaged, takes the patrol posing as Gilroy. While on patrol, Derek is hit by a shell-burst and found by the German Red Cross, who turn him over to a family of French peasants.

A cross-dressing Adolf Hitler sings tasteless, but humorous musical numbers.

Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

An Astronaut struggles with redundancy

It's six o'clock and Emma Sheffield has a lot to do before sunset. But a domestic dispute with her husband Reed threatens to throw a wrench in the gears. As disagreements turn into accusations, Emma has precious minutes to lock her husband away before the monstrous thing they have kept secret begins to break free.

The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.