When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.

Drama - On a December night in 1943, three Jewish children escape from Nazi-occupied France and are given refuge by Sister Gabrielle at a Catholic school in which the gentile students must face their fears about harboring Jews from the Nazis. As the students become acquainted with their Jewish peers, they grow more sympathetic to their situation and eventually go to great lengths -- and take serious risks -- to save the lives of their newfound friends. - Loretta Swit, Geneviève Appleton, Milan Cheylov

Ada Lovelace was a most unlikely computer pioneer. In this film, Dr Hannah Fry tells the story of Ada's remarkable life. Born in the early 19th century, Ada was a countess of the realm, a scandalous socialite and an 'enchantress of numbers'. The film is an enthralling tale of how a life infused with brilliance, but blighted by illness and gambling addiction, helped give rise to the modern era of computing.

Shot in the Occupied Territories by Israeli director Avi Mograbi, this controversial documentary film draws parallels between the Israeli - Palestinian situation today and the enduring myths of Samson and Masada. Mograbi offers a powerful, at times chilling, lament of the continuing cycles of violence rooted in the past and threatening to engulf everyone's future. With the roots of so much real-world conflict left unexamined by today's restless media, this film reminds us just how vital filmmakers like Avi Mograbi are. Documentary today is rarely immersed in questions of this magnitude - or tackles them with the level of eloquence shown here by Mograbi. An exceptional and challenging film.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

In Georgia during WWII Zurikela, an orphan boy, meets Khatia, a blind girl, and vows to help her to see again.

Hoppy's friend Dennis owns a rich gold mine. Frazier who owns the adjoining mine and wants the Dennis mine, has Dennis killed. Hoppy steps in to take over running the Dennis mine and learns Frazier's men sneak into and work the Dennis mine at night. Hoppy captures one of Frazier's men only to be captured in return by Frazier and left to die in a burning building.

5 women : 5 tales of ordinary oppression.

Bus driver Stan Butler agrees to marry Suzy, much to the anguish of Mum, her son-in-law, Arthur, and daughter Olive. How, they wonder, will they ever manage without Stan's money coming in? Then Arthur is sacked, and Stan agrees to delay the wedding. Meanwhile, he hits on an idea: Arthur should learn to drive a bus. Somehow he does just that, and even gets a job. Stan then blackmails the Depot Manager into giving him the job of driver on the new money-making Special Tours Bus. A great idea ...if only the inspector hadn't taken Stan on his trial run to the Windsor Safari Park

Eight years after the first cinematic encounter with right-wing extremist youths in Halle Neustadt, Thomas Heise revisits the protagonists and their families at the turn of the century.

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Did Rodolfo just marry a serial murderess?

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

Short avantgarde film about the theory of political activism.