A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.

A wealthy woman puts a condition in front of her grandson Sami in order to get his worthy inheritance: to marry a girl who resembles one of her friends, and decides to start the journey to search for a girl with the required specifications, and show the desired girl, a girl from the Armenian community called Sivana.

A man comes to a western town willing to discover the perpetrators of the robbery of a bank, where a significant amount of gold disappeared and witnesses were cruelly murdered. One of the thieves is now getting rid of the accomplices, using some deadly snakes that only seem to obey him.

Inis Mona, Gray Sublime Archon, Of Fire, Wind & Wisdom, Bloodstained Ground, Slania's Song, The Somber Lay, Your Gaulish War, AnDro, and Tegernakô performed Live at Summer Breeze Festival 2008.

Theodore Roosevelt was America's 26th president and a larger-than-life legend whose incredible story must be seen to be believed. Narrated by George C. Scott, this documentary weaves extremely rare archival footage with meticulous recreations alongside the music of John Philip Sousa in a dynamic panorama of the great events of Teddy Roosevelt in the early years of the 20th century.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

This documentary combines many movie clips with remarks from First Blood novelist David Morrell and author of The Writer's Journey Christopher Vogler. The former provides some good background and anecdotes about the movie; Vogler takes more of a symbolic and interpretive view of Rambo. He traces the path followed by our hero through all three movies and connects it to mythology and other basic story-telling notions. "Journey" manages to end the documentaries in a reasonably rich and useful way.

Chanaika (11) threw her violent father out of her family home. After this emotional event, she shows that she doesn't let down easily and now dances in front of a million people during the Summercarnaval in Rotterdam.

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.