A young woman grapples with the untimely death of her sister, seeking solace in an imagined reality where they grew up together.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Auto Da Fé is a diptych that looks at migration through the lens of religious persecution. Presented as a poetic period drama, the film presents a series of eight historical migrations over the last 400 years, starting with the little known 1654 fleeing of Sephardic Jews from Catholic Brazil to Barbados. As the film develops, we are presented with tale after tale of populations being displaced along religious lines, right up to the present day migrations from Hombori, Mali and Mosul, Iraq. Religion, persecution and migration are, it seems, old and continuing bedfellows. The work was filmed on location in Barbados, but the landscape is deliberately anonymous, reflecting the universal nature of these stories.

Call-center workers receive a phone call from God.

A documentary tracing the history of La Haine, from the real-life shooting that inspired the screenplay to the film’s success at the 1995 Cannes Film Festival.

Tom chases Jerry into a fish cannery; they get sealed into cans. Tom breaks out, but falls off a pier as the cans roll under him. A shark chases him out of the water; Tom drops an anchor on the shark. Meanwhile, Jerry has been hopping in his can; Tom opens it, and puts his finger in, which Jerry bites. Jerry tricks Tom into falling off the end of another pier, and right into the shark's path again. The shark manages to get Tom into a very precarious position, barely holding the jaws apart. Jerry takes pity, and dumps a shaker full of pepper into the shark, which ends up on the processing line and stuffed into a huge can. Tom is unrepentant, so Jerry tricks him with a fake shark fin.

Emma's parents are going to divorce, but before that the family goes on holiday to the countryside. Emma is left alone when the parents just arguing and moving to another room. Soon she discovers that there is something mysterious about the room when a typewriter starts writing a message by itself...

A young man happens upon a strange, isolated village which is oppressively ruled by foreign soldiers. When he tries to inquire into what is going on, he is forced to flee to an island where a renegade medical doctor tries to force him into submission.

John Carpenter performs tracks from his movies and from his Lost Themes album. Recorded in London and Chicago in 2016.

In this musical set in swingin' Manhattan, an heiress plans a ballet in the famous Moonbeam ballroom located atop a 100-story skyscraper. Unfortunately, the attending audience is quite bored until someone starts the place swinging. Musical numbers include: "Blame It on the Rhumba," "Where Are You?" "Jamboree," "Top of the Town," "I Feel That Foolish Feeling Coming On," "There's No Two Ways About It," "Fireman Save My Child"

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Prog-rock unit the Flower Kings bring their brainy music to the stage on this live concert set. Instant Delivery shows the band replicating some of their finest (and strikingly complex) studio work in a live setting, adding a performative fire that is sure to impress fans and newcomers alike. Recorded during a stop in Holland on April 19, 2006, the band runs through a bevy of songs off their latest album, Paradox Hotel, as well as fan favorites. Included are 17 songs.

Relationships and multiple influences between two great directors of modern cinema.

Nami Matsushima is used as a spy by her first real boyfriend, a police detective named Sugimi, to investigate a drug smuggling ring. However, her role is discovered and she is raped by several drug dealers. It emerges that Sugimi was simply using Matsushima as a pretext to obtain a bribe from the Yakuza. Seeking revenge, Matsushima makes a failed attempt to stab Sugimi on the steps of the Tokyo Metropolitan Police headquarters. She is sentenced to do hard time in a women's prison, where she is given the number 701.

A man has to make a difficult phone call to his son, not knowing how long it will be until he sees him again.

A provincial girl who sells pots tries to obtain the bells that the church of her people needs.