The daughter of a Greek expatriate from Australia, Pagona a.k.a. Peggy (Ketty Panou), after the death of her father she returns to Greece to live with her uncle, Dionysis Katifes (Yorgos Damasiotis) to whom his brother has left the management of his estate of 100,000 pounds until his daughter gets married. Dionysis, wanting to keep his niece's inheritence for himself tells his partner, Frixos (Alekos Livaditis) to marry her. This is also the plan of a failed Geology professor, Kleomenis (Mimis Fotopoulos), who enlists the help of one of Dionysis employees, Hronis (Dinos Iliopoulos). Peggy though, pretends to be bankrupt in order to see which one of her suitors is actually interested in her and not her money.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

A portrait of teen escort, 'Coco'.

The story of a girl in a small North Indian town who is an obsessive fan of top Hindi movie star Madhuri Dixit, and dreams of moving to Mumbai to become a film heroine herself.

As she leaves for art school in New York, Skye gets a phone call from Alex. Skye hasn't heard from Alex in two years, but before she can move on with her life she needs to tie up some loose ends. Unfortunately, someone else has the same idea, and they're stalking and slashing their way through Alex's Sweet 16 party at her grandparents' isolated estate.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

A completely true story about how a real. live Don Juan comes to a Bukovynsky border town and what happens as a result. In the center 01 the story is the Ukrainian maiden Marichka’s love, which takes place against the background of numerous coup d‘etats during the Second World War.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Bette Davis handles the title role in this highly offbeat crime comedy about two aging hippies who elect to rob a bank to restore Bunny O'Hare's financial affairs after she's been unjustly evicted and rendered homeless. When that heist ends up paying off, rather than take off for the border, Bunny opts for a life of crime with her new partner, Bill Green, played by fellow Oscar-winner Ernest Borgnine.

mtDNA 1Ce hg is a landscape study, shot in northern Iceland at 16mm, approximately 400 feet long. This piece shows an environment stripped of the human figure, evoked only by its vestiges, apparently abandoned in the solitude of a barren terrain and an inclement climate. The title of the piece appeals an archaic link between who looks and the environment that crosses with a certain strangeness in capturing a small fragment of the history of the crossroads.