A unique historical portrait of the Palestinian people's struggle to produce their own image. Using material long hidden in archives across the globe, the film reaches back through the modern history of Palestine and reverses decades of colonial dominance with a mosaic of struggle from the perspective of the colonized.

"From archives to community building, this video engages U.S. histories of racialization and objectification through and documentation of discussions and participation with the Arab/Muslim community of Dearborn and Detroit, Michigan. As a video-collaboration between Qais Assali and Jose Luis Benavides created for the exhibit “Costume Party at the Moslem Temple” at MSU Union Gallery (2019) this work culls various collections, original footage and conversations with an ex-Playboy Bunny and community activist as well, to chart the often overlooked history of orientalism, Islamophobia and minstrel brown-facing, or Arab-facing inherent though invisible to our discussions of American racism in order to question the limits of our awareness and our true understanding of culture and civilization."

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Together, a weary cop and an all business FBI agent, team up to catch the latest homicidal manic: The Rain Killer. Just when they think that all the clues have been washed away, they find the one last clue; the one that's been in plain sight.

A plane is hijacked and bound for London. Once the terrorists begin killing hostages, the passengers take matters into their own hands.

After meeting Blossom, Indigo falls completely head over heels. There is only one problem, though. She's straight.

'With Woman' follows Star, a Black, direct-entry midwife who has taken up the cause of providing Black women with home-births.

Through succeeding childhood photos, a girl begins to remember her personality, which in contrast to her sister’s, already strayed from assigned gender roles. The narration is addressed to her mother, as if attempting to establish a communication between different universes. The camera follows as the girl, now a teenager, enjoys herself accompanied by her friend and other night characters in the village, breaking gender and sexuality conventions, where the freedom of the body, and consequently of the soul, entails lightness.

Ana, a devout nine-year-old girl, pushes her faith to the limit in hopes of divine intervention.

This sizzling video is guaranteed to add spice to your love life. In the privacy of your boudoir do something delightfully naughty but nice for yourself and your man by following the easy step-by-step moves of GiO. According to the San Diego Times Union "We learned to walk like sex goddesses, pose like sex goddesses, dress like sex goddesses…(and) how to take off (our) clothes with panache…" GiO will put it all together for you and teach you everything you always wanted to know about striptease.

Hartmann X on his second tour with the "Hartmann X" Stand-up show. Hartmann X II surpasses the first show in humor and content

A Soviet Union astronaut dog explores space and misses home, not expecting what the void has in store for him.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

There is a belief in Thailand which requires relatives to put coins inside the mouth of the deceased so that they can move on to the afterlife. However, there is a group of reckless and irresponsible teenagers who keep stealing the gold coins from the deceased. Consumed by their own greed, the teenagers then set out to steal from a millionaire's corpse who had a mouthful of gold coins and their action somehow angers the dead man. Later, the group of teenagers then encounter various horrifying situations as the spirits of the man returns to haunt them.

Jess is a solo mother and reluctant parking warden. Tom is a self-obsessed greetings cards salesman with an addiction to competitions who will do anything to win. Together they are just two of the competitors in a gruelling endurance contest to win a car - whoever keeps their hand on it the longest wins. As the sleepless days wear by, what price will they pay for winning this competition?