The film evokes a childhood in rural Lithuania between the wars. A country boy, Tomaszek, lives on a rich estate, situated on the Polish border. He realizes that the Issa Valley he lives in is to be torn apart by internal political conflicts and unrests among the mixed population of Poles, Lithuanians, Jews and Russians. He, however, is captivated by a paradise surrounding him, the forest, and his fantasies.

Featuring speakers of Chinuk Wawa, an Indigenous language from the Pacific Northwest, WAWA begins slowly, patterning various forms of documentary and ethnography. Quickly, the patterns tangle and become confused and commingled, while translating and transmuting ideas of cultural identity, language, and history.

Documentary about rock club in the city of Sverdlovsk, USSR. The title is not connected to the communist ideology, it's a reference to one of China's Four Great Classical Novels. The idea is that the phenomenon of Soviet rock music is as extensive and complicated as the structure of the book. Featuring rock bands: "Агата Кристи", "Чайф", "Наутилус Помпилиус", rock singer Nastya Poleva and her band "Настя"

Bohemian painter Lasse receives a million-dollar inheritance from his aunt who has moved to Australia, on condition that he finds a permanent job, a spouse, and an heir within a week. To top it all off, Lasse must find the will, which unfortunately disappears inside a framed movie star poster belonging to his roommate Jop.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Eight years after the first cinematic encounter with right-wing extremist youths in Halle Neustadt, Thomas Heise revisits the protagonists and their families at the turn of the century.

After his family is murdered, and he's left for dead, a farmer awakens in the desert and finds himself transformed into a savage warrior, with all the powers and skills of the ancient gods. Guided by his "spirit masters" he's given a mission; destroy Tital Corporation, the world's most powerful high-tech computer company and its ambitious leader, Michael Burroughs. Burrough's has discovered the technological remains of an ancient race and a secret that will allow him to open the Vortex and achieve immortality. Out in the desert, ancient powers collide with sophisticated technology as the Savage and Burroughs meet in a titanic struggle that could destroy mankind.

Rachel Whiteread has created some of the most remarkable and resonant public sculptures of recent years. House (now demolished) cast in concrete the interior of a terraced house in London's East End. Holocaust Memorial is a moving memorial in Vienna to the victims of the holocaust in Austria. Yet she also frequently works on a domestic scale, casting in plaster and resin the spaces inside, around and beneath furniture, floors and staircases. Her art is a uniquely poetic response to the everyday, and to the haunting themes of memory and mortality. In this video profile Rachel Whiteread speaks about the ideas that prompted a number of her best-known sculptures, including Ghost, her first cast of the space inside a complete room, and Monument, which established a shimmering presence in London's Trafalgar Square during the summer of 2001

David Attenborough has a passion for birds' eggs. These remarkable structures nurture new life, protecting it from the outside world at the same time as allowing it to breathe. They are strong enough to withstand the full weight of an incubating parent and weak enough to allow a chick to break free. But how is an egg made? Why are they the shape they are? And perhaps most importantly, why lay an egg at all? Piece by piece, from creation to hatching, David reveals the wonder behind these miracles of nature.

A guerilla leader falls in love with a mysterious woman in World War II Lisbon.

All of the Dead is a 2000 zombie horror brickfilm by Tim Drage and Tony Mines of Spite Your Face Productions. It is about the dead rising after the tomb of Anubis is disturbed. Though it is often stated as having being released in 1999, a making-of written by Tim Drage mentions finishing the film in August 2000, and the copyright in the film is dated 2000. It was among the first brickfilms available on the internet and was originally released under the duo's original production name, Underpendent Films.

A killer plans his next murder.

Adam, Siwy and Dworaczek are teenage boys from poor Silesian families. They spend their time wandering around dumps, robbing cars. From time to time they try to sell the stolen items, but usually get into brawls with adults in the process. One day the boys are faced with the possibility of making their "big heist." However, it turns out that this act brings them nothing - neither a sense of success nor money. Will their dreams of escaping the monotonous, tedious reality never come true?

An insightful documentary about the impact and ripple effect of "Reservoir Dogs" from its release in 1992 and how it has helped redefine contemporary cinema.

When elephants are about to die, they will leave their herd and die alone. When a person knows that he is about to die, what will he choose? It's lung cancer, and it has already metastasized. There are probably 6 months left. It's a story about a man's last few steps in his life. It's probably quite different from the elephants.

A bicycle messenger sees a girl being brutally assaulted and dragged into a van. She immediately calls the police, but unfortunately the girl is found too late. It turns out that the murdered girl has been the victim of a serious sexual crime. Detective Inspector Irene Huss and the rest of the team begin to look for the murderer, but have very few clues to go on. When another young girl is murdered in a similar way, the team realizes that they are dealing with a sexual predator. How does he get in touch with the girls? Why do they agree to meet him? Why are they wearing special underwear?