Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri. The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).

Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.

Joseph Kuo's final film.

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.

In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.

After being harassed and beaten, Marcos, 23, arrives in a hurry to the dressing room of his job where he has to make up and dress up to transform himself into Morgana because he has a show to give.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

The family consisting of two pandas and one girl lives happily when suddenly a little tiger appears at their home. It arrives that the circus had come to their town. All of a sudden starts the pouring rain but it can't stop them.

In this experimental short film, a young man and woman enter into a relationship with one another and quickly learn the ups and downs of intertwining their life with the one they love.

A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.

Fadma is an active Moroccan woman, a mother who, after the death of her husband, raised her two children alone: Ahmed is her pride and joy, having succeeded in France, and Karim is the eccentric artist who still lives with her. Sensing danger around her son Ahmed, she decides to visit him in France. And it's here that she discovers the problem of her granddaughter Julie-Aïcha, a teenager in search of her identity. Fadma and Julie-Aïcha discover a new shared passion.

A woman with memory loss attends her 10 year high school reunion to see if it sparks her memory. She begins having flashbacks but can't tell if it's a memory she wants to remember.