Daffy Duck convinces Porky Pig to quit the cartoon biz and try his luck in the features. Porky's adventures begin when he tries to enter the studio.

Daffy convinces his son that old Witch Hazel isn't what he thinks she is.

After being fired by his ruthless boss, the dangerously vulnerable David is forced to confront the looming loss of his terminally ill mother, Annie, as well as his own relentless demons.

After being bitten by a radioactive spider, Peter Parker uses his new powers to locate and catch the killer of his beloved Uncle Ben. First of the three short films made by "The Trauma Group" (Naxo Fiol, Chema Ponze, Gabi Tintorer) on the Marvel character between 1993 and 1996. This is the first film made in Spain, shot without more budget than the spent in the costume of the hero (60,000 pesetas of 1993) and shot with a video-8 camera of the time, so the image and the sound, together with the passage of time make the quality of both very poor. Halfway between the experimental, psychotronic cinema and avant-garde cinema, it´s a very extravagant version of the character, softened in the second incursion of the Trauma Group in the character: "Peter Parker is Spider-Man" (1996), closer than this to the original comic.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

16mm, colour, silent.

During the holidays, Amanda, trapped in adolescence, looks for a way to escape from the annoying family trip. While travelling, she realizes how her relationship with her family is progressively crumbling and her parents marriage is slowly falling apart. She sees it as a punishment, but does not suspect that with the imminent escalation of violence in Mexico this could be their last vacation together.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.

Something Strange in Strangetown is a short horror machinima that follows the unexplained events unfolding in the desert town of Strangetown. After a series of strange lights appear in the sky, several Sims go missing under mysterious circumstances. The story focuses on one Sim's attempt to uncover the truth, only to discover something far more disturbing — and inhuman — than expected.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

After disappearing for over a week, River tries to put her fragmented memory back together, while teetering on the brink of insanity and questioning what's real vs a dream.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

This V-Cinema release takes place between Missions 44 & 45. While preparing to celebrate New Year's, the Go-Busters are all killed by a monster named Azazel. Finding himself (and J) before God in Heaven, Nick uses his status as the one millionth person to die in 2012 to grant his wish that Messiah never existed. He awakens to find a changed world, where the Busters are now known as the Dobutsu Sentai Go-Busters.

Violeta asks Mono for "a little time" to decide what to do with her partner. Eva arrives in the city ready to do anything to change her life. Meanwhile is the story of "a time," of that time that passes while several stories intertwine in a dizzying puzzle that never quite fits together. A moving description of stories that are woven together by chance, an ensemble account of the uncertainty, despair, boredom, love, and heartbreak that weave urban relationships, a dramatic comedy about the bonds that make up life in the city.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.