A working single mother's world turns upside down when her inquisitive son demands a new father on a 30-day 'Trial Period'.

Jurassic Fight Club, a paleontology-based miniseries that ran for 12 episodes, depicts how prehistoric beasts hunted their prey, dissecting these battles and uncovering a predatory world far more calculated and complex than originally thought. It was hosted by George Blasing, a self-taught paleontologist.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

Two brilliant, but dull, scientists set out to invent a love potion, but failing in that they attempt to create the ultimate artificial woman with stunning results. Only problem is their new creation only has eyes, and lust, for busty next door neighbor.

The story follows a boy named Quon and others who suddenly wake up with supernatural powers.

In 1797, 14-year-old William Gibson sails from Dundee in Scotland to Gothenburg. This will be the start of a young man's journey on a road that led to the construction of a factory and a society, which is largely unique in our country's history. Jonsered's factories, which came to own a whole community and took care of everyone, from the cradle to the grave. The factory owned a nursing home with a maternity ward, a nursery for the youngest, a school that fostered the prospective workers, a girls' home for young workers, housing, a trade booth, a church with a factory-employed priest and, finally, an old age home for those who rested after a long working life.

The stooges are three fish peddlers who, looking for a new business opportunity, open a beauty salon south of the border. Their first customers are some chorus girls from a local night club. After the stooges completely ruin the girls' hair, and their manager finds out, the boys must leave on the run.

After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.

Witaya (Sorapong Chatree) is responsible of the security inside Pa's company. Pa has two daughters, Plaew and Fai. They rob their father's money from a safe and donate (บริจาค) 500 000 baht to a blind pupil school. The two sisters give the money under the father's name (กุศล)! While stealing the money, they wear masks with red cheeks (แก้มแดง). They sign their crime with a name card displaying a lioness logo (นางสิงห์).

A female barber is hired by one-handed man for a little shave. But she soon finds out that he has a kinky obsession that awakens her own.

Violeta, a manic and stalker mythomaniac, becomes obsessed with a client of her photocopier shop

Elsa returns to her homeland, Caldas da Rainha, in Portugal to meet her mother. Through this little adventure, we discover the city and the mysterious activities of its inhabitants, as well as elements of Elsa's family history. A crossed impressionist portrait is woven, temporalities become confused, and dreams mingle with reality.

Katerina Izmailova, a beautiful and uneducated merchant's wife, feels lonely and bored somewhere in the Russian provinces while her older husband is often away. Years go by in her childless marriage, without an outlet for her youthful energy, resulting in constant idleness and frustration. Along comes Sergei, an unscrupulous young worker who is happy to improve his lot by seducing Katerina as he has done with others before. Katerina falls for Sergei, and this love quickly becomes her only reason for living, turning to destructive passion and ultimately to tragedy for many.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.