Several competitors take part in a friendly sack race, with widely varying degrees of success.

Based on a real event that occurred between two deputies, in Chapultepec Park.

A knight performs several magic tricks with a disembodied head materialized from a chalkboard drawing.

A young girl is striving for stardom. In order to get a lead role in a new production, she agrees to stand-in for a famous star whose rich patron died in her arms one night. The real-life drama gradually comes to mirror the story of the play being performed by her.

A grieving young inventor finds solace in repairing an antique typewriter.

A young Viennese actor is having much success on the stage; but intrigue and confusion in his love life are making his life a living Hell.

Buddhist monks Kampala (Golden Casmara) and Targhu (Hans Wanaghi) are traveling around seeking knowledge and expanding their martial arts skills in the lands they visit. Once they reach Malacca, they meet Datuk Saluntung (Baron Hermanto) and his wife Lasmini (Murti Sari Dewi). Upon learning that these two monks wish to meet Brama Kumbara (Fendy Pradana), Lasmini thinks she has found a way to take revenge. These two monks first meet up with Lasmini’s students in Jawadwipa. A fight ensues. Then Lasmini shows up and orders two of her students to report to Brama. The news that Lasmini has allied herself with two monks enrages Brama, but he is able to defeat them easily. Then Mantili (Elly Ermawatie) also becomes angry. However, Lasmini cannot be found. She disappeared after losing the battle. Brama then accepts a challenge by the two monks to test his martial arts skills against theirs. They battle for three days and nights, but nobody wins.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Two romantically involved down-and-out lounge singers get involved in a caper.

Seville 1913. Juan is a weak-looking boy who has grown up in a marginal environment. But it transforms when at night it challenges bulls in fences. Calderón, an old bullfighter, looks at him, in his rare ways, in his passionate attitude, and guided by a strange obsession introduces Juan into the way of being a bullfighter. In a short time, Belmonte becomes a hero in his land, but his great challenge will be to face Joselito in the most important square: Madrid. Biographical film around one of the most emblematic bullfighters, Juan Belmonte.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

One man's quest for revenge in a post-apocalyptic world

The old Arab-Gattu Legend of the Gocuyyeh is one of global bounds. Carrie and her friend Vanessa attempt to document the Gocuyyeh sighting in Layton, Utah.

A family moves out to the 'peaceful' suburbs where everything goes wrong, including the mother-in-law moving in.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.

A man searching for a stolen army payroll is joined by several men after the reward money.

A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).