Simultaneously boundless and intimate, collective and personal, an ode to and an example of a cinematic experience that is becoming increasingly rare, the darkness of a movie theatre in the course of the projection of a 35mm film print.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

Two mismatched friends, students, each in their own way troubled by life, travel one day to a nearby beach, invoking a sort of playful innocence long believed spent along with their childhoods, in the hopes that doing so will restore both of their happiness. Alas, life seldom works out that way.

A personal essay on the legacy of Martin Luther on the basis of 16th-Century drawings and paintings where the director draws parallels with today's communication explosion/distribution of "news" and the necessity to be digitally literate.

In the Tigullio region near Gênes this shortdocumentary shows the funeral of a local fisherman.

25-year-old Arghavan lives with her parents in Tehran, and intends to marry her fiancé, Hesam. One day, her short stories win her a grant to attend a writing workshop in Germany. Soon before she is to leave, however, Arghavan is abducted and raped. In a strict, conservative society where young women are expected to be virgins before marriage, this is a social catastrophe. Plagued by gossip and finding little solace, Arghavan's life begins turning into a nightmare.

In this John Nesbitt's Passing Parade series short, narrator John Nesbitt tells the story of Scandinavian immigrant Annie Swenson, who worked as cook and housekeeper in his family's home while he was growing up.

Ton Chard is a vicious murderer, who terrifies people with his crimes. He is protected by his father, the powerful Shi Fong, ruler of the district. Su Ma offers herself to seek and arrest the criminal. Once done that, she has to take him to the law court where he will be judged. But Shi Fong will do everything to stop her.

The Pink Panther is forced by a criminal to deliver a package to the Slobvanian Embassy, but must first get past the guard dog.

The film documents two men carrying palm trees through the streets of East London. McQueen tracked the men through a bustling Brick Lane market.

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

Mexican feature film