A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.

WWE WrestleMania VIII was the eighth annual WrestleMania. It took place on April 5, 1992 at the Hoosier Dome in Indianapolis, Indiana. The only WrestleMania officially recognized by WWE.com to have featured more than one headlining match, its card included two equally-promoted main events. In the first, WWF Champion Ric Flair defended his title against Randy Savage, and in the second, Hulk Hogan faced Sid Justice. As a consequence of the double main event, WrestleMania VIII carried two taglines: "The Macho/Flair Affair!" and "Friendship Torn Apart!" Notable matches on the undercard included WWF Intercontinental Champion Roddy Piper defending against Bret Hart, and WWF Tag Team Champions Money Inc. defending against The Natural Disasters.

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

Aghasik is a very energetic and joyful taxi driver, whose life changes when the bride running from her own wedding gets into his car.

After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford

A group of Soviet soldiers are trying to prevent the chemical weapons trials by German army during WWII.

A car submerged in the water, a man mourning in it, and the monsters chasing him.

What seems like an average day on the course is anything but that! When a young caddie named Ron (Jay Maudlin) is fired by his Boss (Lucas Rendón), he must do what he thinks is right as a response to the predicament. Shot, filmed, and edited in 10 days, Disectoid is akin to late night Adult Swim programming and unlike anything you've ever seen.

A short film about three siblings with secrets who come back home to stay, Everyone meets up at their mum's house for a family lunch and none of them want her to find out about what their hiding.

Under the pressure of the international community, the Serbian Government establishes a Mixed Commission, and conferred to it the examination of facts in the affair "missing babies" that has lasted for several decades.

Bobby is an underachieving high school kid with a deep love for motorcycles. His most recent achievement seems to have been getting photos of himself on a road trip printed in a motorcyclist hobby magazine. When he gets a letter from a girl his age, he decides to write her back.

A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.

Speaking to a therapist about his love life.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.