Hilal Haji Ramadan is a single person in Salmiya who is a reckless and wasteful person, which leads not to multiply debts on him and chasing his debtors, and he has a friend who is a doctor close to him, but on the contrary, he is a human being, a messenger and a shark lover. A day will come and meet Hilal his princess while she falls in the Salmiya market, and her princess is the beautiful rich girl. He falls in love with her, and the irony lies in that she herself is his fiancée, his close friend, and the events continue until the princess admires Hilal and his opposite personality of his friend and falls in love with Hilal.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A boy and girl find true love for each other and escape from boredom and crime.

Documentary about polish director Krzysztof Kieslowski

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

When thirteen-year-old Raúl is asked to entertain the local landowner's son, a game of power and pride starts between the two boys.

The tough Detective Vares, get hired by a friend accused of murdering a girl. His job is to find the real killer, but people aren't talking. Before he can get traction another homicide takes place- and things move toward a dire conclusion.

Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

Clarkson and guests will celebrate the festive season with a comedic musical take on a traditional Christmas morality tale. Song selection will come directly off her just-released Christmas album, "Wrapped in Red," featuring classics such as "Silent Night" and "White Christmas" as well as the title track

Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.

Grace Lee Boggs is an activist and philosopher in Detroit who has dedicated her life to the next American Revolution and the possibility of a better, more just future for all of humanity. At age 97, she has been building movements and developing strategies for social change for most of her life -- reminding us that revolution is not only possible and necessary, but a process that must always be in motion.

There's nothing dreamier than the moment when the lights go down and the show begins. Now imagine capturing that feeling for 77 minutes of concentrated bliss. Exploding from the vaults of the American Genre Film Archive (AGFA), THE CULT OF AGFA TRAILER SHOW is a sequel to THE AGFA HORROR TRAILER SHOW . . . and AGFA's wildest mixtape yet. Meticulously constructed by the mad scientists at AGFA to resemble an otherworldly night at a mall multiplex, this compilation features rare trailers, commercials, and ephemera—all of which were preserved and scanned exclusively for this project.