Two down-on-their-luck former outlaws volunteer to be Texas Rangers and find themselves assigned to bring in an old friend, now a notorious outlaw.

An atmospheric venture into slow cinema, following Rose, a down and out gay prostitute, trapped in the minutiae of his quiet and isolated life.

Make me the Next Model Too is a model competition

Life is wonderful until one day the sportsman is brutalized, falling a victim to a corrupt criminal justice system. Not giving up, he seeks justice at the European Court of Human Rights.

Powerful semi-documentarian depiction of the miserable working and living conditions in the Silesian city of Waldenburg.

It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates on the tartan cloths of various clans rather than the men who wore them, and is an early filmic reminder of their huge importance to both Scottish national identity and the thriving tourist industry north of the border. The film's unique selling point was that pioneering filmmaker G. A. Smith showed off the vibrant designs in Kinemacolor, among the earliest colour film processes that didn't involve meticulous hand-painting. And no dangly bits in sight.

Michael Ironside headlines the cast as Jack, a Denver cop investigating the case of a murdered army sergeant. Things heat up when we learn that the death may be linked to a massive weapons trading scandal and, even worse, when Jack's friend Jennifer is kidnapped. The bad guys better beware now things are personal.

Detective Sergeant Malcolm Ainslie, a Catholic priest turned distinguished investigator for the police, has agreed to hear the confession of a convicted serial killer sentenced to death in a just a matter of hours. What he promises to reveal to Ainslie is the truth behind the crimes and the reason he confessed to the one crime Ainslie doesn't even believe he committed. What unfolds between the two men is a serpentine trail into both men's pasts based on the bestseller from master storyteller Arthur Hailey.

Kwok Chung is a righteous rich kid whose hobby is to fight and brawl. One encounter nearly gets him killed, but he is saved by Yueh (Fong Hak On), the Snake Fist Master. Yueh befriends and teaches Kwok the deadly art of the snake. Soon, Kwok realizes that his teacher has more in common with a snake than just techniques. He's being set up by his teacher, and his family is also targeted for murder!

A naive music-lover's patience is tested on his quest to download music online, as his perspective on technology completely changes.

Men and boys learn together what it takes to be a man.

I documented the First Story's walking tour with Elder Carolyn King with a manual time-lapse on Super-8. Reconciling myself as a mixed-race indigenous Colombian settler 'walking the red road' while being a person with physical disabilities. Learning to live mino-bimaadiziwin as a settler to Turtle Island and Tkaronto. (Jaene F. Castrillon)

Inspired by Homer's Odyssey, the film creates a queer reinterpretation of the nymph Calypso who traps Odysseus on her island. This intimate and sensuous rendition unveils the characters' emotional states through subtle gestures and contemplative portraits, delving into feelings of love, longing and abandonment. "Alienated by the outside world, Calypso (Jamieson Edson) and Odysseus (Cameron Stetz) lay naked in bed allowing their bodies to be warmed up by the light of day, and the realness of touch. Penelope (Quagliata) denudes herself behind and in front of the camera. The voice of the Greek nymph Calypso is expressed by silent intertitles adapted from Homer’s Odyssey." - Mónica Savirón, Museum of the Moving Image

Deaf and dumb couple is sufficient for Neanderthals to communicate with their child a family story to go.

Opera superstar Cecilia Bartoli offers her first operatic release on DVD in 12 years, and also her first opera in English. Bartoli stars as Semele (a role usually taken by a soprano) in Handel s late opera, which features such well-known arias as Endless pleasure, endless love, Myself I shall adore, and Oh sleep, why dost though leave me? Robert Carsen s stylish modern dress production hints at parallels with the problematic relationship between the late Princess Diana and the British Royal Family. Recorded live at the Zurich Opera House in January, 2007.

Documentary by Ali al ghazouli

Biography of the legendary filmmaker directed by his son.