Eine Ziege hatte sieben junge Geißlein, die sie liebte, wie eine Mutter ihre Kinder nur lieben kann. Als sie eines Tages ein paar Besorgungen zu machen hatte, mussten die Kleinen ihr fest versprechen, niemandem die Tür zu öffnen. Kaum war die Mutter aus dem Haus, klopfte auch schon der böse Wolf. Doch die klugen sieben Geißlein ließen ihn nicht herein, wie ihre Mutter es ihnen aufgetragen hatte. Aber so leicht gab der Wolf nicht auf und heckte sogleich einen schlauen Plan aus, mit dem er die Geißlein überlisten und in das Haus eindringen wollte.

Adam is a broken man in the emotional transition as his family crumbles. Through the heartbreak and pain a chance meeting gives hope once more.

A turbulent day in a life, painted by air.

A project spanning three years of production and research, Lion is a collection of 7 short films exploring the Chernobyl disaster, the nature of radiation, memory, and personal history. Conceptually arranged in to a film “album”, Lion’s seven works navigate atomic fallout and a girl’s adolescence, a dream before death, radiation as a cause and cure for cancer, masculine bravado, feminine obsession, a trip to Chernobyl amongst the death of a matriarch, and the destruction of memory. Composed of seven works, Lion is a series of films created on 16mm and hand processed with darkroom techniques that mimic the effects of radiation on film. Researched in Chernobyl, the series is a product of memories, history, pop culture and technical experiments to create visual representations of invisible forces.

A young lonely lion crosses an arid and desert Savannah. He discovers that the only source of water is kept by a tyrannical buffalo.

Eight woman, one life. Short animation by Sumito Sakakibara. The 9th Japan Media Art Festival Animation Division Grand Prize Winner

Riches is a documentary film that explores the Christian faith in two different cultures. It follows a British Christian mission team on their trip to Zambia in 2016 and examines the ways in which cultural and social/economic background might impact one's faith.

Making of documentary surrounding the production of ‘Anora’

A stranded U.S. ship's engineer (Jon Hall) helps a Eurasian beauty (Lisa Ferraday) with coveted antique jade.

A globally composed, musically arranged montage-round: so Henry Hills’s arcana appears to be, a fulminant 30-minute cut-up epic that takes footage – both found and shot by the filmmaker – and crosses it in an almost arithmetic manner with a pre-arranged soundtrack. The basis is a written film treatment of the musician John Zorn, in which 254 scenes, bundled into 15 sequences, are captured in short, sometimes cryptic descriptions. Hills, very much in the style of a Harry Smith or Bruce Conner, has collected takes of radically differing origin for each of the 254 script directions and funneled them into a complexly ramified stream of associations. The sequence of scenes is underscored, or rather, interlocked, with pieces from the John Zorn composition The Bribe (1986), a musical tribute to crime fiction writer Mickey Spillane.

After crash landing on a desolate planet, a lone space explorer must find a way to make her new home habitable. Using innovation, grit and courage, she casts out the darkness in this new land.

The Talking Parcel is based on a 1974 book by Gerald Durrell in which a young girl is transported to the fantasy land of Mythologia to save it from cockatrices. She is aided by a talking parrot and encounter many other magical creatures, including a mooncalf.

Kazu becomes distrustful of his current partner Shin and goes to see his ex-boyfriend Takashi. But he finds out that Takashi has gotten married to a woman and feels that he is left with nowhere to go.