Emilia Kong - a filmmaker on the verge of being evicted who applies for funding through fictional organisation Film Reach to get her script financed and appease her landlord. Funding officer Shannon Edmunds is her only hope, but he soon falls for her best friend, Zoe Chadwick, leading them to open a can of worms on their past.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

Filmmaker Connor Luke Simpson explores the underground-and often misunderstood-subculture known as feederism. A community where the fatter you are, the sexier you are.

Akane is a very chaste, very conservative nun who is the caretaker of Sabu, an elderly gentleman who is basically comatose. They live alone in a house on the beach, abandoned by Sabu's family who refused to care for him anymore. One day, Akane finds that there is an intruder in the house, Kayoko, who had escaped a depraved sexual encounter nearby with a couple of guys. As if things weren't crazy enough, another two random people show up at the door. Rine is a teacher that has run off with a student of hers, Shinji, and they are looking for a place to hide (and to do bad things to each other). Naked Desire follows these people as they try to survive together away from society, not knowing that detectives are in hot pursuit after Shinji is determined missing by his family. Akane must decide whether to stay true to her faith and remain pure, or give in to her ultimate desires like Kayoko, Rine and Shinji.

Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.

Tiairani, a young Tahitian, sets out to meet the Etruscan, a man with a tattooed face who occupies a roundabout in Punaauia, on the island of Tahiti.

I was a ghost myself is a film following a ghost’s footsteps, psychogeographically trailing through a city where the ancient intertwines with the modern. The ghost haunts this itinerary of places projecting its haunts as light in moving images. As an archaeologist, the ghost portrays the present to uncover the past layer by layer through cracks and reveals, exposing herself with her memories and of others who have come and gone before. During two years of shooting, the filmmaker visits the town she grew up in and the city she later lived in. Starting in the city’s historical peninsula, in the ruinous dungeons she asks ‘is there cinema after death?’ She then visits her childhood town to see her grandmother’s grave, her old family house and school. Filmed entirely with expired/old stock super 8mm film, handmade camera lenses and scratched film technique, the beams of light, dust and aged texture of the film compose the ghost in its emotional state.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

Science-fiction comedy: Junket, a schoolboy, borrows an apparatus invented by the absent-minded science master for transporting matter - and, by accident, makes it work...

Tami-aw is a docu narrative film about the journey of a less fortunate widow Louigina "igi" on her way to claim cash aid from the government. such aid was supposed to be an educational support but it turns out to be used to support but it turns out to be used to support their survival. Is there any other way to break the intergenerational cycle of poverty of a Filipino family?

The piano tuner Murkin, an elderly and sickly man, sets out in the morning to find his boots, in which his neighbor's overnight guest has mistakenly left.

Wichita Slim is an ex-outlaw turned U.S. Marshal. His lightning draw is being used on the right side of the law—until the Dry Gulch Bank is robbed. Knocked unconscious during a shoot-out with the robbers, Slim loses his memory and is captured by his old outlaw gang. He rides along for a series of robberies but knows that something isn’t right. The Territorial Governor issues an ultimatum to Gospel Bill: “Bring Slim back—dead or alive.”