Celuloide colectivo: el cine en guerra
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
Read MoreSimilar Recommendations
The Forty-First
An unexpected romance occurs for a female Red Army sniper and a White Army officer.
The United Monster Talent Agency
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Uncut Family
The life of a boy in his adolescence takes a turn when his relationship with his mother and father is exposed
Dead Souls
Pavel Ivanovich Chichikov plans to buy the titles to “dead souls” and use them as collateral to obtain a large loan. He comes to a small provincial town and begins to proposition the local landowners. These landowners are revealed to be so petty and avaricious that not even Chichikov’s amazing offer can be worked to his advantage on them. Some stall, some refuse for no obvious reasons, some promise and then renege, and others want “in on the deal.” In the end, Chichikov, having concluded that the landowners are a hopeless lot, leaves for other regions.
The Last Prom
Prom night, teenage drivers and alcohol.
Heiraten ist auch keine Lösung
Royal Bonbon
A wretched man wanders the streets of Cap-Haitien, dreaming of his imaginary kingdom. He thinks he's the King Christophe, the first ruler of the New World, a former slave and liberator of Haiti in 1804. Out of town, "King Chacha," as he is known, took refuge in the imposing ruins of the castle of Sans Souci along with Timothy, a street urchin he took under his wing. Here he reconstructs a junk yard where reigns absurdly.
Sindrom 'Mana Anak Ku'
This film portrays the issue of child trafficking and the intervention of authorities on that issue.
Burgos
The documentary was entirely filmed in the province of Burgos, containing monuments and architecture considered emblematic of Spanish heritage. Color was added to the film at a later date, by hand. Burgos is a fine example of the timeless beauty of hand-stenciled film, as well as sound actuality filmmaking by two cinematic pioneers.
Red Bamboo
In a Thai village childhood friends Kwen and Sompan are looking forward to make the world a better place within their ideology and beliefs. Kwen is a communist and Sompan is a monk. The film is a subtle metaphor for the troubled Thai political situation of the 1970's.
Ah, Sweet Mouse-Story Of Life
Tom chases Jerry around a high-rise apartment, and then around the ledge surrounding the building. They torment each other with a compressed air horn. Jerry goes down a drainpipe and Tom follows, stretching himself the length of the pipe (and getting unstuck with help from the air horn).
Denji Sentai Megaranger vs Carranger
The team-up of Denji Sentai Megaranger and Gekisou Sentai Carranger. This V-Cinema special takes place between episodes 39 and 40 of Denji Sentai Megaranger.
El Vendaval
OVERLOAD
Matter
An experimental stop-motion animation made with a piece of yarn.
166 Main St.
2 adventurous teenagers decide to go into a supposedly haunted apartment building.
Brahms - Symphonies No. 3 and 4 / Semyon Bychkov, WDR Sinfonieorchester Koln
Semyon Bychkov
WDR Sinfonieorchester Köln SYMPHONY NO. 3 IN F MAJOR, OP. 90 SYMPHONY NO. 4 IN E MINOR, OP. 98 Far from being conservative, as Brahms often has been referred to, his symphonies show the composer as a groundbreaking pioneer far ahead of his time. He may not have broken dramatic new ground in the same way as his musical colleagues Liszt and Wagner, who invented new genres. Instead, his innovations took place at the mircro-level – within music’s inner palm. In this respect Brahms was far ahead of his time – and this fact explains what half a century later Arnold Schoenberg regards him as “progressive” and was referring to him for his own compositional theory.
Die Geiseln von Costa Rica
The German tourist Kiki and the Swiss tour guide Marlies are kidnapped by Contra rebels from Nicaragua while on vacation in Costa Rica. While Kiki's friend Markus fights for her release together with her mother, Kiki begins an affair with one of the kidnappers. When the two women were released after 72 days on payment of ransom, the police suspected that they had colluded with the kidnappers.