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C'est pas de l'amour
Zombie Fight Club
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
Crackula Goes to Hollywood
A mysterious man from Alaska, known to be from the dark side, becomes addicted to sucking crack blood. He single handedly ends up cleaning the streets of Hollywood of all crack users and drug dealers.
Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Florence Fight Club
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
Hilario (Músico extraviado)
Chronicles the life and the last days before the disappearance of the chiapanecan jazz musician, Hilario Sanchez.
Home
She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.
Fight Club (Russian version)
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
Marty Feldman: Six Degrees of Separation
A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.
Strange Object
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Lo-Fi
How do the interhouse trips sound?
Das Herz einer Frau
The Ban
In 1988, following a wave of IRA atrocities, the British Government introduced a Broadcasting Ban, silencing Sinn Féin and other loyalist and republican paramilitary groups by forbidding broadcasters to allow anyone affiliated with these bodies to speak on television or radio. Bizarrely, however, a legal loophole allowed broadcasters to circumvent the ban by simply employing actors to re-voice the original sequences. Using unseen archive footage and present-day interviews with key figures such as Gerry Adams and Stephen Rea, The Ban reflects on the British government’s use of the threat of ‘terrorism’ to justify censorship, drawing inevitable comparisons with the present.
SIX AM
Inspiration movie