Hatem is a corrupt police officer, who loves his neighbor Nour, who in turn loves the prosecutor, Sherif. Hatem tries to win Nour’s attention even if by force.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Mux spent many years in a coma in a clinic with a constant stream of television. But at least he survived a serious car accident! Now he has woken up, and he has a plan: during his time in hospital, he came up with the idea of a fairer society. From now on, Mux sees it as his task to save the world from neoliberalism and goes to France, the motherland of revolutions, with his long-term nurse Karsten and a self-written manifesto.

This film shows a surreal train ride by several passengers whose journey is not quite what they expect in this brilliant short film.

A journey into a strange new world. Director Qamar Abdulmalik relies on collective memories of advertisements, familiar yet artificial, to create the atmosphere of a “dream”. In that space, he renders the complex realities of nationality, country, and home.

In 1950, a French expedition led by Maurice Herzog went to central Nepal to conquer the highest peak (8,091 meters): Annapurna. The film is not only made of what we see, but even more of what we don't see. Its imperfections are the negative imprint of the adventure. Memory is the most faithful of films.

Pla Thong's friend, Tod dies but his unfinished business means he can't move on. Pla Thong helps Tod figure out what that unfinished business is, and they realise how each other feels in the process.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

A woman with ‘no name and no country’ in search of a sense of belonging. Asked to write a script about her own experience, she constructs an ‘autobiography’ which is partly fiction. A photographer – who has never touched a camera. A peep-show girl who has never worked in one. A screenwriter who has never written dialogue. Meanwhile, her unsent letters to her father echo the questions every migrant is asked: ‘Why are you here?’ and ‘When are you going back?’ The film is a critique of certain aspects of British culture & addresses crises of identity.

A strait-laced country vicar is very embarrassed by his father's naughty exploits with a lively actress.

If Jesus came to Earth today, would his teachings and philosophy be in line with the agitated moods we live in today? Batata Filmes presents a new collage project, mixing the playful Jesus of cinema with statements made by many of his followers, in an uncomfortable and provocative experience. Contains high offensive potential for small minds.

The long awaited second film in the Wicked Priest series is a masterpiece of sword swinging fury as Shinkai is asked by a man on the run to bring his young son to live with his grandfather, the master of a ju-jitsu dojo during the Taisho period of the early 20th century. Shinkai then runs afoul of a gangster group using strong-arm tactics to take over the profits from local gambling. When he proves to be more than they can handle, they hire the one man who has the ability to kill Shinkai and exact revenge, Ryotatsu, the karate priest whom Shinkai blinded in the first film. This ultra-violent entry has long been considered the best movie in the series and never made its way to home video before. See a spectacular display of Wakayama Tomisaburo’s martial art expertise in this action packed film. The Holy Grail of sword movies has arrived at last! /Winterheart of CG

Stephen Torino, who is tricked by his brother Marco into an arranged marriage with tempestuous Annie Caldash. Annie is willing to give the union a go, but Torino wants none of it.

Darby Clyde Fenster and Jerry Martin are a pair of penniless nincompoop-drifters who hop a freight train on their way to Florida. Our intrepid heroes find themselves facing one comic situation after another in this gloriously loopy Southern fried comedy-with-music.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

The painful life of a mentally unstable but highly gifted woman is unveiled in this film, based on episodes from the life of an actual person. Aloise (Delphine Seyrig) creates a series of haunting drawings while she is incarcerated in an institution for the insane in turn-of-the-century Switzerland. She endures torments as a musically gifted girl and later as a young woman; her developing madness and the barbaric treatments of the time are shown.

A lonely Inn becomes a setting for survival against a monstrous visitor.