A lost group ends up stranded in the middle of nowhere and decides to seek refuge in a deserted Clown Motel. Little do they know, the place is cursed, and they unwittingly unleash the evil clown spirits.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

The Indian government announces a country-wide lockdown for 21 days due to the pandemic. India Lockdown encapsulates the story of four out of lakhs of individuals whose lives came to a standstill.

Swedish writer Stig Dagerman (1923-1954) was a literary sensation who after a few productive years, suddenly fell silent. Struggling with writer's block, Dagerman wrote the essay "Our Need for Consolation" about his inner demons and his quest for freedom. For the first time in English, featuring Stellan Skarsgard as an on-camera narrator, this film brings Dagerman's powerful words to life in the form of a visual poem.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Oliver's Divine Delivery Theory is put to the test when he and the POstables seem to be unable to deliver a damaged letter from a military veteran that's a matter of life and death.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

An assassin called Filthy Harry is hired by a shady figure and charged with killing the heroes. The men are framed twice for different robberies by King Kong's new girlfriend, nearly committed to a mental hospital by their devious boss, and forced to battle Filthy Harry's weaponry-laden robot while covered with time bombs.

Yuri Ebara is inexplicably laid off, abandoned by her closest friend, and is suddenly asked to move out of her apartment. As she nears rock bottom, she begins to suspect someone is out to drive her insane, or worse.

The prowess and persona of WWF pro wrestling star the Undertaker are chronicled in this look at the territorial bad boy, who defends his turf against all comers. The program covers the career of the Undertaker, who has been in the business for over a decade. It follows the development of his skill and on-stage personality, which has made him on of the most recognizable and popular stars of the circuit. Archival film clips, photographs, and interviews with friends, fans, coaches, and fellow wrestlers tells the colorful story of the Undertaker. This Video/DVD covers all the different aspects of the Undertakers WWF career, from the first day at WWF Survivor Series 1990, The Ministry and the American Bad Ass gimmick. With interviews from, Lita, Matt Hardy, Hardcore Holly, Kane, Edge, Chris Jericho, X-Pac and many more WWF superstars, giving their thoughts on the ‘Deadman’.

A lonely man starts a travel to meeting somebody very special.

Hoist anchor, maties! And set a course for the grandest pirate yarn ever to shiver your timbers in this thrillingly animated, song- and –laughter filled version of Robert Louis Stevenson’s swashbuckling adventure classic!

Addiction. Competition. Lifestyle. Words to describe that of the professional tournament paintball scene. Over the years it has evolved into a commitment of strategy sacrifice and athleticism. Progression is a video montage of those on the forefront of todays success. Featuring Oliver Lang, Brandon Short, Bart Blonski, Matt Blonski, Archie Montemayor, Alex Goldman, Dusty Odell, Justin Cornell, Todd Martinez, and Rusty Glaze.

Lily (76) is sure there’s nothing wrong with her. The only reason she lives in a care home is because of her husband Max's illness: a series of strokes has reduced him to a vegetable. The fact that Lily isn’t exactly the way she used to be becomes slowly clear in the Danish drama Key House Mirror - the title refers to a memory test. It’s not easy for Lily to leave her old habits behind her and fit in with the rules of the home. Her life blossoms when she meets an 80-year-old Swedish neighbour, a charming man who gives her the attention she has long missed. Lily’s daughter, however, is not so happy with the budding romance.

The issue of young Muslims traveling from Europe to countries such as Syria and Somalia to fight with Islamic rebels is a highly topical one, making this story of a Danish-Somalian boy even more relevant. His back turned to the camera as he looks out over a nondescript housing development in Copenhagen, “The Shadow” describes how he fell victim to recruiters from the militant Somalian rebel group al-Shabaab. He outlines the conditions that make boys such as him susceptible to the lure of the “holy war,” explaining that, “Nothing in my life made any sense.” So eloquent is he in his account that one might think it was scripted, but what happened to him is as real as the scenes from a suicide attack by one of his former friends.

While planning to go to an Halloween party with the woman of his dreams, the shy and innocent Daniel sees himself rather dragged by the threatening Sylvain in a series of misadventures which will introduce him to the Montreal underworld.

For nine years in the 1950s, Jan Troell worked as a teacher at the Sorgenfri primary school in Malmö (an experience he drew on for his study of a teacher's relationship with his class, Ole dole doff (Who Saw Him Die?) in 1968); he lived in a house once occupied by Ingmar Bergman. In Malmö, Troell made his first film, Stad (The City), about a day in the life of Malmö, showing the life of the people from dawn until dusk.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.