Evoking themes of protest, destruction, and resurrection, this beguiling new work from visual artist Randall Okita transposes three-dimensional kinetic sculptures to the cinema screen.

In a small village in Pakistan, village elders demand that 15-year-old Mina must be handed over as payment for the crime her brother committed. The ruthless man she's forced to marry keeps her locked inside a small room, her only escape being her imagination and staring out a small window. Meanwhile, the two families cross paths in a series of twists that leaves a trail of pain, heartbreak, and blood.

Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".

In Brazzaville, an invisible world governs the visible world. The apostle Medard struggles to heal the sick victims of bad spells. But his life changes when he is publicly accused of practicing black magic.

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

When Kelly's newborn baby is stolen from the hospital where she works, she teams up with Gloria, also a victim of baby abduction, to get her child back from a black market adoption ring.

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.

Sarkani, an adventurer, finds a trusted carrier pigeon, takes possession of the code message and, teaming up with the unscrupulous banker Torenthal, gets the position of secretary from Matthias Sandorff. After deciphering the message, he discovers a conspiracy against the government. By law, Thorenthal and Sarkani receive half of Sandorff's fortune. His kidnapped daughter was raised by Thorenthal as his own child, and in order to keep her share of the fortune, he tries to marry her off to Sarkani, but she is in love with the son of one of Sandorff's friends and refuses. Sandorff takes over the fisherman who betrayed him, as well as the banker who lost his fortune in Monte Carlo. Together with Sava's beloved, whom he cured, they save Sava and take Sarkani into their own hands. Sandorf surrenders them to the legitimate authorities, unites his daughter and her lover, and everyone lives happily on the island of Zord.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

Kaan has always been looking for a meaning in his life. Gizem and Bengi were in love but the city didn't welcome much girls like them. Fuat had spent his life as a homeless in the streets of Istanbul. There has been a belief that an old spiritual ship once got stuck in Istanbul. A ship that would only be visible to the ones who would belong to it, who would need it in their lives. A ship that would take them to where they belong to. The ship was about to take off. The film is inspired by the short animation film called "How Did The Amentu Ship Move", made in 1970 by Tonguç Yaşar and Sezer Tansuğ.

The wife of Patouillard begs him for new clothes according to the latest fashion in the newspapers. So they go out for some shopping. Afterwards she is going out in her new dress, which is so tight that she can hardly walk in it. She changes the skirt for a pair of trousers, but finds herself being laughed at, and when the trousers get wet at the seaside, Patouillard finally puts her in a jute bag and makes her hop back home.

Family and workers on a farm are being stalked by a Sasquatch-like creature known as "The Black River Monster".

The film portrays the assassination of Archduke Franz Ferdinand of Austria in 1914.

The first solo stand-up special of Russian comedian Sergey Orlov. He had been preparing this concert for a whole year, running it all over the country, twice a night he performed with this at the Cinema House in Moscow, and for the next 7 months it edited, re-edited, laid back and finally got out!