A bachelor's life is interrupted by the appearance of a teenager who claims to be his son.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

The little Puppy, on the advice of the crafty Cat, is trying to find out who he is - a hunting dog, a guard dog or a diver? It turns out he doesn't know how to do anything. But he finds a lost slipper for the owner and realizes that he is loved for who he is.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

The Stooges find a crippled boy and his sister living in their dumpyard shack. To raise money to pay for the little boys operation they buy a phony treasure map from a con man. Thinking the treasure is buried beneath an old house, the boys start digging and wind up in a US treasury vault where they are promptly arrested. The president (FDR) gives them amnesty and arranges for the boy's operation.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

A behind-the-scenes look at the true-crime story involving Joe Exotic's murder-for-hire plot.