Bhim Singh is a domineering father and husband. He lives a fairly wealthy lifestyle with his wife, and a somewhat submissive son, Kishan. He gets Kishan to marry a simple and plain-looking woman named Chanda, much to Kishan's chagrin and reluctance. After the marriage, Kishan goes to Bombay to look for employment, and soon finds one. When he returns home to visit his "ailing" mother, his father instructs him to take Chanda with him to Bombay, as her rightful place is with Kishan. Kishan agrees to do so. Upon arrival in Bombay, Chanda is shocked to find out that Kishan is married to an attractive woman by the name of Radha. Now Chanda must decide whether to expose Kishan's dual life; to simply return to her parents' home; commit suicide. Or will Radha opt for a fourth option?

Lakhan, an evil dacoit kills Shoor Veer Singh while robbing a royal locket that conceals a map to the treasure. Years later, Singh's son along with Sangha and Danny set out to save the treasure.

The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

A portrait of teen escort, 'Coco'.

Twenty-one day is a time period that terminal patients are allowed to stay in hospice. Time is pulsating here according to peculiar inner cycles: getting faster, slower or returning to its ordinary rhythm. We wander through physical and mental spaces: wards, gardens, memories. It is a story of two main protagonists, yet two strangers, for whom the regular talk about death constitutes an integral part of life.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

After being "created" by a dog, Doggy Poo meets various living and inanimate things. No one wants to be his friend, and Doggy Poo becomes sad as he tries to find his purpose.

On 12 May 1978, Kate made her debut on Dutch television in a program that has gotten to be known as “De Efteling Special”. The amusement park De Efteling served as a backdrop for six songs of The Kick Inside: Moving, Wuthering Heights, Them Heavy People, Strange Phenomena, The Man With The Child In His Eyes, and The Kick Inside. On 10 May 1978, the Efteling was ready to open the Haunted Castle, the most expensive attraction it had ever constructed (designed by Ton van der Ven), and they wanted to promote it. In April a documentary featuring the Haunted Castle was made by filmmaker Rien van Wijk, who was eager to shoot in the latest attraction before it officially opened. Kate, who just had a big hit with Wuthering Heights, was approached for a television special that would promote both Efteling and her songs. This is the original broadcast of May 12, 1978. The original 16m film is lost; this is a copy of the uMatic version that is the only version left.

A history of scarred surfaces, an inquiry, and an imagining: for the marks we see and the marks we make, for the languages we can read and for those we are trying to learn. Reproduced by hand on an old contact printer resulting in individual, unique release prints.

Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.

What would you do if you crossed paths with one Australia's most notorious criminals?

Little did this pretty brunette know when she applied for a babysitting job that her employer was an artist and that everything at his place differed from the outside world. What struck her the most was to find out that her boss had shrunk his wife and kept her in the fridge in order, as he said, to keep her safe from a hostile world!

If the world has an edge, then it is almost certainly visible from Iceland. On the outermost cape, beyond which there is only the inhospitable Arctic Ocean, lies a farm belonging to Úlfar and his wife. This autumn will be the last time their grandchildren come from the city to drive the sheep back down from the hills. An almost tangible cinematic fabric that weaves a tale of an abandoned place where the mist clings to the steel-blue surface of the sea and where the occasional human visitor is sometimes welcome.

Darla pretends to like Butch, hoping to motivate Alfalfa into a better performance in the football game against Butch's team.