A boy swallows watermelon seeds and gradually becomes a watermelon.

An ode to the melancholy of machines.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Three friends, Duk-bae, Chun-sik, and Kil-nam, work each at a suburban Chinese restaurant, a barbershop, and a motel. The three friends are clueless about their future. They just share the drinks and love stories. Kil-nam is in love with Jin-ok working at a hair salon and Chun-sik is after Yu who also works at the barbershop. Naive Duk-bae's mind is torn between Chun-sun who works at a factory and an uptown girl Myung-hi.

Debuting Iraq-born, Netherlands-based writer/director Ibrahim Selman starts out on docu ground, with a voiceover explaining his objectives and the film’s stand-in location, and recalling Kurdistan before the advent of war. He then shifts into narrative mode, with glimpses of life in a mountain village caught in the conflict between Iraqi military authorities and peshmergas (guerrilla freedom fighters).

A machine churns out sausages on one side and spits out hats on the other.

Rather than telling his parents, who have another girl picked out for him, Bob brings home his new wife disguised as his friend "Steve."

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.

Edeltraut celebrating into her birthday. But the next morning is not a picnic.

A group of insatiable secretaries take a sex cruise charter boat where there's a murder.

The best women's wrestling competition of all time...and if you think it's fake you're in for a big surprise See LEGENDARY Mixed Martial Arts fighters coach their teams to victory in the cage! aka Chuck Lidell's Girl's Fight Club

Jonathas lives with his parents and his brother, Juliano, in a cottage in a rural area of the Amazon. The family harvests and sells local products at a roadside fruit stand, a place of contact with new friends and novelties from the rest of the world. They meet Milly, a visitor from Ukraine, and the native Kedassere. The group decides to spend the weekend at a campground in the jungle. Against his father's wishes, Jonathas will embark on this adventure. Seduced by Milly and the forest, he undertakes his most transforming journey.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

A short film made “for fun” that plays with surreal and evocative imagery

Story about Plavi orkestar (Blue Orchestra), a pop band from Sarajevo who were one of the biggest pop sensations in the 1980s Yugoslavia.

Mexican feature film

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.