The yearning limit - is there, I wonder, such a concept? The beginning of the film sets the viewer up for a kind of light movie reading--the images of grumpy wives that have already been screened more than once (however, But the longer you watch the film, the more you're exposed to it. the longer you watch the picture, the more you are overwhelmed by loneliness and longing. Gradually they fill you completely...

Sam Smith performs tracks from their latest album alongside some of their biggest hits, including Stay With Me and the Oscar-winning Writing's on the Wall, accompanied by their band and the BBC Concert Orchestra.

An italian woman scapes from de WWII to Mexico where her uncle lives. She gets trapped in a brothel threatened to be involved in a crime that she was innocent. Meanwhile, she finds her true love who ignores where she lived and worked.

When As’ad, a 12-year-old rubbish picker, adopts an American sex doll from the Baghdad dumps, he crosses into a perilous red zone, finding himself caught in the crossfire between abusive forces of commercialism and fundamentalism in a world where defenders of humanism have lost their power. He embraces the courage it takes to not just survive, but live.

Joseph just broke up with his girlfriend and is not taking it very well. He thinks she is plotting against him with their mutual psychiatrist. His dog is missing and he suspects the people at work might be behind it. Then there is the unshakable guilt over his past. It just might all be bearable, somehow possible to live through, if it weren't for those damned 'monsters' that keep trying to kill him. Through an allegorical 'fable' that is told in parallel with Joseph's struggle, we are left to decide for ourselves in the end, who is the crow and who is the wolf., was someone out to get Joseph, was it a stroke of bad luck, or was it all in his head?

The wife of Patouillard begs him for new clothes according to the latest fashion in the newspapers. So they go out for some shopping. Afterwards she is going out in her new dress, which is so tight that she can hardly walk in it. She changes the skirt for a pair of trousers, but finds herself being laughed at, and when the trousers get wet at the seaside, Patouillard finally puts her in a jute bag and makes her hop back home.

Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks of life."

Northern Irishwoman Helen Cuffe (Julie Christie) is overwhelmed with sadness when her husband is killed by the Irish Republican Army. She and her teen son, Jack (Frank MacCusker), then move to a tiny town and start life anew. There, Helen meets a mysterious American man named Roger Hawthorne (Donald Sutherland), who is in the area to refurbish an old train station. A romance slowly blossoms between Roger and Helen, but Jack then gets involved with a violent political group, and tragedy looms.

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

Plague: From the Latin word “plaga” meaning 'blow', 'wound'. Meaning: Massive, sudden appearance of living beings of the same species that cause serious damage to animal or plant populations. Abundance of something harmful.

When Kelly's newborn baby is stolen from the hospital where she works, she teams up with Gloria, also a victim of baby abduction, to get her child back from a black market adoption ring.

Francesco, hurt by the discovery of his girlfriend's betrayal, is craving for meeting his contender. They both think to be strangers to each other, but they're wrong. In a desperate afternoon, the boy is going to face his pending issue with his antagonist, confessing anything he was tortured by to someone who is going to be more than a psychologist.

Franco and Ciccio are two cousins ​​who, in the old West, have opened a service station, where they carry out the washing and drying of the horses and a bar service for the passing riders. One day a stranger saves them from an attempted robbery against them: the girl introduces herself as Calamity Jane, as well as Franco and Ciccio's aunt.

Fag Hag is the touching inspirational story of how two hopeless no-talent losers find each other in a cruel world, and through the strength of their deep bond are empowered to become two hopeless no-talent losers. Featuring a tour de force performance cameo by Wil Wheaton (Stand by Me, TV’s Star Trek: Next Generation) as a Christian bookstore manager, Fag Hag pays homage to John Waters while launching a bold new message to the gay community. The film is set in Hope Springs, CA where we meet Destiny Rutt (Stephanie Orff; RESPECT MY ASS), a pathological liar and last place shoe-in for the first annual Miss Hope Springs Pageant. When Destiny meets Scott Bushey – a gay drifter whose ambition is to make it big as the worlds first white HIV-positive rap star “T-Cell”, the two make fast friends and resolve “to take this town of outdated gay guys by storm!”

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.