Miguel is bald and thinks it is a problem, but now he has been contacted by a clinic that promises a treatment with one hundred percent results. Sounds almost too good to be true - and that's what the side effects are.

Nilambari's parents disapprove of her relationship with Vihang and get her married to Nikhil. However, when they meet years later, Nilambari and Vihang spend time together as she is terminally ill.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Ever since Badal was an eight year old, he's been in love with violence. As a role model, he chooses the local mafia leader Bachcha Babu. As he grows up, Badal's passion for becoming like Bachcha Babu increases. One day, by chance, he gets the opportunity to join Baccha Babu's gang. He meets a girl called Megha and falls head over heels for her at first sight. However, she wants nothing to do with him. Megha's father, Sharmaji, who is a government school teacher, finds out that Badal is bothering Megha. With the help of his journalist friend, he goes to Bachcha Babu and tells him that Badal is creating trouble in his daughter's life. Bachcha Babu assures the journalist that from now on Badal will not disturb Megha and her family. In the course of events Bachcha Babu bumps into Megha and finds that he wants her for himself - at any cost. Bachcha Babu goes to the extent of killing his own wife to marry Megha.

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Dreams, travels, places, people.

A group of girls come together for a Halloween costume party and little do they know a masked killer is hiding in the shadows of the house waiting to make them his next victims.

Restaurant critic Ina is on the verge of marrying the wealthy son of an entrepreneur Clemens Kehl. But then she runs into the car of smart Gunnar. With consequences: After the accident, she wakes up with no memory in the hospital again! Under the name Jula they try to get her true identity back on track...

Sergey visits the psychoanalyst Bryusov, who at each session inspires him with the idea of divorce from his wife. "Family is not the main thing! The main thing is what you want!" According to Bryusov, his wife suppresses his own "EGO" in him. Lenochka, Sergei's wife, goes to confession to the priest, Father Sergius. The father, unlike the psychoanalyst, punishes Lenochka, at all costs to save the family. "Family is the main thing! All for the sake of the family!" This confrontation between the psychoanalyst and the priest has been going on for a year and a half. Who will win?

Regis Sauder returns to his childhood pavilion at Forbach. Thirty years ago, he fled this city to build against violence and in the shame of his environment. Between demons of extremism and social determinism, how do those who have remained? Together, they weave individual and collective memories to question the future at a time when fear seems stronger than ever.

“YOU THE BETTER is a film based on games of chance, and as games such as roulette, or craps go, this one is closed – meaning that the player cannot really affect the outcome. A team of uniformed players, led by the artist Ashley Bickerton, performs the mechanics of a game servicing an off-camera betting entity, the ‘House’. Although the game keeps changing and players are swapped out, one thing remains the same, the ‘House’ is hidden and controls the bets, the ‘chance’ of winning is nil. The game, in fact, is not between the players, but rather between the ‘House’, and the ‘Bettor’.” — E.B. 1983

Vermin Supreme is no ordinary presidential candidate. Promising a free pony for every American, a fully funded time travel research program, and unprecedented zombie preparedness initiatives for a new American Republic, he truly is the people's candidate and the friendly fascist par excellence. "Who Is Vermin Supreme? An Outsider Odyssey" follows Vermin Supreme's raucous 2012 campaign from the Rainbow Gathering in the the Cherokee National Forest to the Democratic and Republican National Conventions to Occupy Wall Street protests, and all the way to heart of the American Empire in Washington, DC. From the unsettling gravitas of marauding riot police to the unbridled joy of songs sung for police officers and pranks played on anti-abortion fanatics, "Who Is Vermin Supreme?" is certain to show you America as you've never seen it before.

In this one, Bimbo is playing fireworks in an abandoned yard except for a mouse (who suspiciously looks like Mickey in one close-up scene) who laughs derisively at him.

Gurudev Hoysala, an upright police officer, gets involved in the inter-caste marriage of a Bhoomi and Ravi, only to realise later that Bhoomi is an influential landlord’s daughter.The situation heats up as the girl's father gets furious and starts an uproar in the town.

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

Julie and Rebecca decide to have a girl's night.... but it might be their last.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.