The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

An Italian laborer foils anyone who tries to stop him from selling espresso on the Milan-to-Naples night train.

A former inspector of the SIAE, focusing everything on his cunning and stubbornness, tries to grab (even in fraudulent ways) all the televisions or private radios that come to hand; all to please a mysterious woman named Gilda.

An account of Italian film director Luchino Visconti's travels in search for a young actor to portray the role of Tadzio in his 1971 adaptation of Thomas Mann's novella Death in Venice (1912).

Sonya is a super-busy, sought-after model and dating doesn’t really fit her lifestyle. However, a one-night stand with a clumsy but considerate man changes her perspective.

In 1944 Tuscany, a group of boxers struggling through World War II stages rigged matches to earn money and travel, accompanied by a missing black American soldier and a girl resisting marriage, as they navigate the challenges of their war-torn world.

Astolfo, a retired professor evicted from his apartment, decides to move into an old noble but decrepit palace, the last remnant of his family patrimony in a remote village of Abruzzo, where he hasn't been for decades. Soon enough, as a newcomer, he befriends a vagabond, a retired chef and a young handyman. A group of four live harmoniously at his place when he comes across Stefania, a charming and generous woman of his age. Astolfo falls in love and struggles with feelings he thought belonged to the past. Encouraged by his loyal group, Astolfo makes a brave step and learns delightedly that it's never too late to fall in love.

A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.

Trapped in an unhappy marriage, the wife of a high ranking Fascist official starts a dangerous, self-destructive relationship with a duplicitous S.S. Officer.

In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory.

Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

The life and times of Italian music legend Renato Carosone.

In the late 19th century, two Swedish emigrants, Lasse Karlsson and his son Pelle, arrive on the Danish island of Bornholm hoping to find work on a farm and save enough money to travel to the United States of America.

Their love of dance, and their friendship, is challenged for two high school girls when one is diagnosed with cancer.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

While on his travel across the Southwestern United States, with his Jeep CJ Renegade and his chestnut colt named Joe Brown, Luke meets Matt, son of a friend of his, Moose, who is in jail. Moose asks Luke to take care of Matt, and to help him to take possession of a piece of land. So starts their travel, full of adventures...

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

Targeted by a dirty cop after witnessing a murder, bank clerk Mario flees to Puerto Escondido, Mexico, where a couple of oddball Italian expats drags him into a journey of self-discovery and bad decisions.

A Sicilian woman is dishonored by her lover, then goes to London with a pistol intending to murder him.

In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.