Nine members of an extremely rich and hateful family have decided to have a reunion on a remote island in the Mediterranean. No sooner than their arrival, old grudges, resentments, and feuds make themselves known, along with allusions to some more macabre events in their past. But when their boats are sabotaged, thus stranding them without any connection to the mainland, it becomes clear that someone is not willing to let old wounds heal, a fact made all the more clear as bodies start to pile up...

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.

A couple in the middle of a divorce are stuck together on the outskirts of a nuclear strike in Los Angeles.

This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.

The life of a boy in his adolescence takes a turn when his relationship with his mother and father is exposed

Adrian Chiles looks into an extraordinary game of professional football that took place in May 1979, where an all-white team took on a side comprised solely of black players.

Based on the story of Leonid Andreev. St. Petersburg, 1905. A poor student moves to the estate of a wealthy aristocrat to become his son's teacher, and tries to unravel the crazy secrets that the owner of the house keeps.

A 40-year-old mother struggles to deal with the anxiety of growing older after her eldest daughter moves out and the youngest distances herself.

Two young brothers secretly bring home a seal from their summer vacation and try to hide it from Mom and Dad. Havoc ensues as Sammy's antics disrupt the quiet town of Gatesville and its unsuspecting residents.

An essay-film on language and theater, on human communication - intellectual in content, but purely poetic in terms of form: image, sound, language, cinema. Stagefright, with the exception of one shot, was all filmed in a small puppet theater space, actors against black.

Dodo, a French man living in Florida, has one goal in life: Get by without working. Difficult to implement without the help of some women. Betty is one of them, and a gypsy's bride, who suddenly disappears, changing Dodo's life.

Azhagar, son of a police constable, is tempted to take bad habits seeing his father in his younger days. Azhagar along with his friends incur the wrath of everyone though they are good-hearted and ready to help others. Fate comes in the form of rich and influential Kazhuvanadhan's family. His sons Karutha Pandi and Viruman are feared by everyone. The brothers mistake their sister of falling in love with Azhagar and kills her. They cover it up as suicide. Now they go behind Azhagar. But sequence of events leaves Kazhuvanathan dead and the blame falls on the four friends. In a bid to take revenge on them, Viruman hires a contract killer Pandi (Vikranth), who is in the business only to educate his young brother. Whats happens after this forms the climax. It is gore and bloodshed all the way.

This historical drama, depicting different phases in the late childhood and youth of the so-called "Apostle of Cuba" José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.

Having partaken in Eden not only of the tree of knowledge, but of the tree of life eternal as well, Adam and Eve became immortal and now find themselves wandering throughout the world in a journey of extreme sexuality and boredom.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences. The 7 bed scenes are titled: The Black Hole [Le trou noir]; Mr. Clean [Monsieur Propre]; Madame; Heads or Tails [Tête bêche]; The Ideal Man [L'homme idéal]; Love in the Dark [L'amour dans le noir]; and The Virgins [Les puceaux].