While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a farrier prepares a horse's hoof to receive a new shoe.

A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.

On TJ's 18th birthday, a stranger delivers him a key from his father, last seen as he was hauled off to prison eight years earlier. With the key is an address for a proposed meeting – 3000 miles away and in two weeks. The key unlocks a timeworn 1968 convertible, with a coffin welded to its floor. With each decision that follows, TJ plunges deeper into the mysterious and beautiful landscapes we all navigate – on our own, with our tribe, through the shifting turns of the road ahead.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

When a young boy steals billiard balls from a local saloon, a stranger is charged with the crime. The local layabouts find there is no reason to hang out at the bar without being able to shoot pool, and the boy entertains thoughts of forming a gang to steal more billiard balls in hopes of making money.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Lisa is fried in the heat of the sun. She is sick, miserable and out of water, but finds a lake to cool down in. A local sports-fisherman spies on her, but when Lisa drowns, he is stuck with a blond, naked "dead bait". What to do then?

Lord Farquaad was eaten by the dragon, but his ghost has returned, and he's still evil. With the help of his henchman, Thelonious, he kidnaps Fiona. Shrek and the donkey set out to save her, with help from the dragon, before she goes over a waterfall on a raft. This entry is for the 2-D version released on, for example, DVD and Netflix.

Burned filmstrips meet light and invade the screen with structures of residue, ashes, flames and destruction. New landscapes appear in a state of disintegration through fire. The former carrier of conserved imagery is now in full bloom of organic splendor. The lifeless filmstrips have been resurrected.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

Charlie thinks he's met the perfect woman, but in order to be with her, he must first get past her dog. Just when he thinks all is lost, he realizes that he loves the dog too! Now he must do everything he can to keep them both.

After Leon left his team in the historic 25-1 defeat against the national team, Die wilden Kerle broke up. Only the little Nerv still believes in his old heroes and tries to bring the grown-up guys back together with the help of his dreaded side puller. Leon's former best friend Fabi has meanwhile founded his own team, the girls' team, "The Beastly Beasts", and challenges "The Wild Soccer Bunch" to a duel in the Nattern Cave.

For years, Blade has fought against the vampires in the cover of the night. But now, after falling into the crosshairs of the FBI, he is forced out into the daylight, where he is driven to join forces with a clan of human vampire hunters he never knew existed—The Nightstalkers. Together with Abigail and Hannibal, two deftly trained Nightstalkers, Blade follows a trail of blood to the ancient creature that is also hunting him—the original vampire, Dracula.