Diet for a New America
"This is John Robbins' amazing video documentary Diet for a New America (1992) which explores the causes why Americans eat so much meat and what does this do to their health and the environment. Although it is commonly known today that meat and diary products are one of the primary causes for heart and other deadly diseases, Americans don't seem to care at all and are living (and dying) with them every day. When this award-winning documentary was first aired the US National Cattlemen's Association mounted an aggressive campaign to discredit the program and keep it from being aired. But the attempt to thwart the show failed, and the program went on to be one of public television's all-time most successful documentaries.
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Healing Cancer From The Inside Out
A shocking and informative expose of the "Cancer Industry" and the "Western Diet".
L'utilité des rayons x
Georges Hatot and Gaston Bretaeau with Henri Vallouy, a Gaumont employee, acting as cinematographer. Breteau himself seems to have taken the main role in most of the films and here plays the woman in drag who is terrorized by the X-ray camera at a customs checkpoint while trying to smuggle contraband through.
Photograph
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.
Michelle Live
Bliss D.F.²
"The performer describes how to shrink a head, using an avocado and its pit that is recorded on one audio channel. The other props include a table cloth a pan of water and a wine cork. The second audio channel plays a tape made by Tamara Rand, a sex therapist and psychic who describes how to maintain an erection and how to get away from poor self-image by placing that image in a 'black box' and throwing it away." - Askevold
Le Marais
Le Marais is a singular short film, taken from the collection of films set in Paris, used for Gus Van Sant's "Paris: Je t'aime". Two customers walk into a paint business, asking for help, one character has the compulsion to speak to another - and while language barriers restrict the growth of their relationship, the desire for one another is there.
Rewind 2: 1996
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Hope
Kazuto Ishikawa is a first-class architect. He is married to Kiyomi. They have a son, Tadashi, who attends high school and a daughter, Miyabi, who attends middle school. They live together in a refined home, designed by Kazuto. An injury causes Tadashi to quit playing soccer. Since that time, Tadashi often stays out all night without permission. One evening, Tadashi leaves home and does not return. Kazuto and Kiyomi become worried about their son and consider going to the police. News then reveals the murder of Tadashi's classmate. The police suspect that Tadashi might be involved in the murder.
Chhota Bheem and Krishna: Mayanagari
Young lord Krishna has fallen for demoness Maayandri’s revenge plot against him! Can Bheem rescue him and thwart Maayandri’s other destructive plans?
Palaces of Pity
Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.
Turn Left Turn Right
Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.
Finding Sayun
For her debut feature Finding Sayun (不一樣的月光), Atayal director Chen Chieh-yao (陳潔瑤) returns to her home village to unearth the legend of Sayun (sometimes spelled Sayion), an Atayal girl who fell to her death in a turbulent stream while carrying a Japanese teacher’s belongings at the end of World War II. The movie begins when the tale of Sayun draws a television crew to the Atayal hamlet of Tyohemg (金岳) in Nanao Township (南澳), Yilan County. Yukan (Tsao Shih-hui, 曹世輝), a high-school boy and a young hunter, does not understand the crew members’ interest in the story. But his grandfather’s (Chang Chin-chen, 張金振) memories of Sayun, whom he went to school with, revives his interest in the old tribal village, which the villagers had been forced to desert 50 years prior.
Three Guns for Texas
A man searching for a stolen army payroll is joined by several men after the reward money.
Romance of Water
This 10-minute short was produced by the Department of Water and Power, Los Angeles, CA. Basically what we have is a history lesson on everything to do with water. We learn how it comes from the clouds, what happens to the snow on the mountains, how streams keep flowing and other things including how it gets to the faucet for us to drink.
Space Elevator
Returning from a failed exam, a disheartened architecture student ventures into unknown areas of the city where he meets a peer in an astronaut suit who plans to ride an elevator into space.
Ennui Ennui
While the french ambassadress to Afghanistan is in the middle of disarmament negotiations with a Kuchi Nomad tribe, her daughter, Cleo, is Kidnapped by Afghanistan's only female warlord.
Belly Up
Two hit men, a veteran and a beginner, chatter in a bar on Brazil-Paraguai border, while waiting for their victim to appear.