An alien intelligence hitches a ride onboard the TARDIS to 15th century Italy, where a deranged astrologer attempts to harness its power.

Captured in a time corridor, the Doctor and his companions are forced to land on 20th century Earth, diverted by the Doctor's oldest enemy - the Daleks. It is here the true purpose of the time corridor becomes apparent: after ninety years of imprisonment, Davros, the ruthless creator of the Daleks, is to be liberated to assist in the resurrection of his army. Not even the Daleks foresee the poisonous threat of their creator. Indeed, who would suspect Davros of wanting to destroy his own Daleks - and why? Only the Doctor knows the truth. Will he descend to Davros' level of evil to stop him?

Using images from my childhood and phone calls from key people in my life, we explore my particular sense of what is home to me. The home is not a place but a sensation produced by many more common factors that characterize our generation.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.

Thamizharasi is the granddaughter of a puppeteer, who develops feelings for Jyothi, the grandson of a rich landlord. However, Thamizharasi's life turns upside down when Jyothi rapes her.

Hello! Project concert held at Pacifico Yokohama Exhibition Hall A / B. Disc 1 (96mins), Disc 2 (94mins).

Riccardo Chailly inaugurates the 2024-2025 Opera Season with a new production of La forza del destino, conducting his ninth Verdi title at La Scala. Leo Muscato will direct yet another cast of extraordinary prestige. A complex opera in terms of dramaturgy, first performed in St. Petersburg in 1862 and debuting in its final form at La Scala in 1869 with the creation of the famous overture, La forza del destino offers some of the most memorable Verdi melodies. It has been absent from the programme since the Verdi centennial in 2001, when it was brought to La Scala by the artists of the Mariinsky Theatre of St. Petersburg; the La Scala Orchestra and Choir have not performed it since 1999.

A Muslim American teenager struggles to reconcile desire with family obligations.

Idhayakkani and Thamarai fall in love but their villages, Pulipatti and Kilipatti, have been at each other’s throats for 50 years. Kani hopes to bring peace with their marriage but unfortunately, Thamarai’s dad is killed by his villagers. And, now, she and her uncle Veerasamy want revenge.

An Iranian comedy film about marriage.

Jérôme owns a boat with his crook of an uncle, La Rose de la Mer. They sail with a band of crooks hired by the uncle to scuttle the ship and collect the insurance premium.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

In order to boost his own cotton ginning business, Jake Meighan sets the local Syndicate Plantation ablaze. the superintendent of the Syndicate Plantation sends over 27 wagons full of cotton for ginning, and turns aside his suspicions that Jake is the arsonist in exchange for apparent sexual favors from Jake's wife, Flora.

The disturbed young loner Paul is looking for his place in life in the urban 80s metropolis Night City. When the sleazy city pushes him to the edge, he decides to strike back against the scum. David, a ruthless cop, is on Paul's trail. In the streets of Night City, where the line between morals and mania begin to blur, both antagonists enter collision course.

After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long-suffering and emotionally and physically scarred woman. The couple soon runs off to Greece together to pursue the romance.

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson's widow Angelina and the camera's illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.