On 26 August 2012, during their Overexposed Tour in South America, Maroon 5 performed in front of 30.000 people at Arena Anhembi, São Paulo, Brazil, which according to Levine has become their biggest paying public to an exclusive concert of the band to date.

The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

When three women get cheated on by their husbands they decide to get even and open up The Mistress Club, where seduction is the name of the game and forbidden sex is the natural outcome.

An essay-film on language and theater, on human communication - intellectual in content, but purely poetic in terms of form: image, sound, language, cinema. Stagefright, with the exception of one shot, was all filmed in a small puppet theater space, actors against black.

With a potent strain of pot sweeping the City, DTA agents attempt to infiltrate a small town farming operation that has a strong leader and interesting family members.

A documentary on African Zulu tribes narrated by Vincent Price.

Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.

In this sword-and-sandal saga set on the steppes of Asia, Roland, leader of the Paladin troops, who must proves his mettle against the dreaded Saracen invaders, and withstand their evil plots

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Interviewing cast and crew behind the scenes on UFO, this documentary lifts the lid on Gerry and Sylvia Anderson's first venture into live action science fiction.

Adrian Chiles looks into an extraordinary game of professional football that took place in May 1979, where an all-white team took on a side comprised solely of black players.

Pavel Ivanovich Chichikov plans to buy the titles to “dead souls” and use them as collateral to obtain a large loan. He comes to a small provincial town and begins to proposition the local landowners. These landowners are revealed to be so petty and avaricious that not even Chichikov’s amazing offer can be worked to his advantage on them. Some stall, some refuse for no obvious reasons, some promise and then renege, and others want “in on the deal.” In the end, Chichikov, having concluded that the landowners are a hopeless lot, leaves for other regions.

2018, Gjellestad, Norway. Archaeologists make the discovery of a lifetime: a 20-metre long, 1200-year-old Viking funeral ship. Who is hiding in the grave? Is Gjellestad one of the oldest Viking settlements? What can this coffin tell us about the daily lives, beliefs and traditions of the Vikings? July 2020, an exceptional archaeological expedition begins. Thanks to exclusive access to this archaeological excavation, state-of-the-art technologies, cinema-worthy dramatized reenactments and with the help of great specialists of the Viking era, this unprecedented journey will bring this incredible site, its villagers, warriors and craftsmen back to life. Both a scientific investigation and an epic historical drama, it will follow this extremely rare excavation step by step to reveal who has been hiding inside this mysterious Viking coffin for over a thousand years.