Larry Malone sets up his brother Dave to get rid of Murphy, a rival gang leader, and then informs on Dave to have him convicted of murder. In one simple act of double-dealing he, consequently, removes both his main rivals and clears the way for expansive future plans for his crime family.

Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.

This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.

Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences. The 7 bed scenes are titled: The Black Hole [Le trou noir]; Mr. Clean [Monsieur Propre]; Madame; Heads or Tails [Tête bêche]; The Ideal Man [L'homme idéal]; Love in the Dark [L'amour dans le noir]; and The Virgins [Les puceaux].

Based on the story of Leonid Andreev. St. Petersburg, 1905. A poor student moves to the estate of a wealthy aristocrat to become his son's teacher, and tries to unravel the crazy secrets that the owner of the house keeps.

Esther and her sister Jennifer have just taken a remote country cottage. But there is strange gossip about the previous occupants.

An essay-film on language and theater, on human communication - intellectual in content, but purely poetic in terms of form: image, sound, language, cinema. Stagefright, with the exception of one shot, was all filmed in a small puppet theater space, actors against black.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

A couple in the middle of a divorce are stuck together on the outskirts of a nuclear strike in Los Angeles.

A young woman is reunited with her childhood friend at a pool party and reckons with the fact that he used to pee on her when they were kids.

In this sword-and-sandal saga set on the steppes of Asia, Roland, leader of the Paladin troops, who must proves his mettle against the dreaded Saracen invaders, and withstand their evil plots

Adrian Chiles looks into an extraordinary game of professional football that took place in May 1979, where an all-white team took on a side comprised solely of black players.

This historical drama, depicting different phases in the late childhood and youth of the so-called "Apostle of Cuba" José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.

What would you do if you saw a terrible film and your name was Christopher Ford?

The "good vibes only" freshman Mitsos, the "stuck with her parents" 25-year-old Sofia and the "no strings attached" 30-year-old Dimitra. A Saturday night when none knows if they’re ready for the next step.

Two young brothers secretly bring home a seal from their summer vacation and try to hide it from Mom and Dad. Havoc ensues as Sammy's antics disrupt the quiet town of Gatesville and its unsuspecting residents.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri