Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern.

The infamous Dreyfus is finally brought before a court martial.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

A grieving young inventor finds solace in repairing an antique typewriter.

In these three short films, we examine key issues in the American cultural conversation—incarceration, race, life, death, digital culture, gender—through a distorted lens. They may be fictional, but these dizzying one-take videos do have the ring of truth.

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

A scientist places her son and his girlfriend into a cryogenic sleep so that they can survive the coming apocalypse. They wake 25 years later in a world dominated by a fascistic ruler called the Messiah, who holds the "Death Run," a deadly gauntlet.

The Thomsons - parents Thomas and Francie, and children Willa, Arthur, Beatrice (nicknamed Booky) and Jakey - are a loving working class family living in the Depression era in Toronto. Arthur is showing aptitude in drawing, and although his parents want to support his skill, Thomas in particular wants him to take up a vocation that is a little more stable. Willa, the part time librarian, is attracted to Russell, the medical student she meets at the library. And 11-year old Booky is happy that she has been asked to tutor the new older sixth grade student, Georgie Dunlop, in spelling, since she has a crush on him, her first ever. She just can't wait for him to ask her to the school dance. But she begins to have mixed feelings about Georgie based on a gift he gives to her. Digging a little deeper, Booky begins to understand both the good and bad of Georgie.

To escape the pressures of growing up, magic-obsessed kids congregate at the one place they can be themselves. They want to prove their worth on the same stage where superstar magicians like Blaine & Copperfield once performed. But to get there, they need to learn more than sleight of hand & tricks of the trade. They have to find the magic inside.

When two rival crews head into the desert to shoot a reality show based on a buried Navajo treasure, they discover that truth is not only stranger than fiction, it's more dangerous. Something wants them from digging deeper and from escaping the desert alive.

Experts set out to prove that female great white sharks rule the ocean.

Unemployment is the great evil of our time. Thankfully, the Agency for Professional Reorientation for Myths and Legends can guide creatures into their professional life.

Alois Hingerl, porter no. 172 at the Munich train station, gets into heaven. St. Peter introduces him to the heavenly house rules: “rejoicing” and “singing hallelujah”. Of that, “Angel Aloisus” is not very edified, especially since he is supposed to get “heavenly manna” instead of Munich beer. Due to a few irksome events at the side, his dissatisfaction is only increased. Angrily, he sits down on his cloud in order to rejoice and sing hallelujah. But that sounds in such a way that the heavenly population’s hair stood on end. In his indignation, Alois even doesn’t mince his words towards the Lord. The latter gives in and orders Alois to deliver the divine afflatus to the Bavarian government. He sends him immediately with a corresponding letter to Munich. As “angel Aloisius” comes back home, he at once goes to the Hofbräuhaus. And like this, the Bavarian government waits till today for the divine afflatus in vain.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.