Murad and Masha decide to get married, but before they achieve this goal, life has some unbelievable and sad stories in store for them.

Aniela has lived the first half of her life as a man: with an office job, a wife, and two children. But neither her family's opposition nor repression by the government in Poland can stop her from finally becoming the person she's always been.

"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.

LIVE; THEATERSEIZOEN '82/'84: 'Urbanus Live' werd in opdracht van Urbanus Nederland opgenomen tijdens twee uitverkochte voorstellingen in de Agnietenhof van Tiel op 4 en 5 februari 1983. Deze opnamen werden samengevat voor televisie en uitgezonden door de Vara in 1983 en in 1984. Dit is de volledige, ongeknipte versie van deze twee succesvolle uitzendingen via Vara en tevens een aardige weergave van het theaterseizoen 1982-1983 in Nederland en 1983-1984 in België. IN 'T ECHT: Deze theatershow van Urbanus was een ware triomf in de Belgische- en Nederlandse theaters, waarbij records sneuvelden wat bezoekersaantallen betreft. In Nederland werden ruim 200 voorstellingen gegeven, waarvan drie shows in Carré in Amsterdam. Geen enkele buitenlandse artiest deed hem dit na. In Vlaanderen was het niet anders. In alle grote theaters vonden meer dan twee voorstellingen plaats en Antwerpen leverde een record op van meer dan 15.000 bezoekers.

Reliving all of John Cena's classic feuds, from his early confrontations with Eddie Guerrero and Chris Jericho to career-defining battles with Shawn Michaels, JBL, Triple H, Batista, Randy Orton, CM Punk and The Rock.

The short registers a sports spectacle of great importance (probably of soccer). We never see the spectacle itself but the people watching and reacting at the stadium.

Our old lodge brothers are celebrating their 25th anniversary this year. This is being celebrated with the release of their eighth show! The show was recorded over two evenings in April and has now been edited down to just under two hours of fantastic (sultry) entertainment. The show covers a wide range of topics, and this year we meet the Little Mermaid, the Egtved Girl, the Grovbollemanden, and H.C. Andersen. The show also offers a reunion with Olsen, Meyer, Emma, and pet shop owner Clausen from Huset På Christianshavn itself. In addition, we will see old acquaintances such as Fjertomanen, and we will attend the funeral of Dorthe and Grethe at Gyllegården...

A young Caribbean immigrant mother struggling to make ends meet at her dye factory job finds a release through her abandoned dream of dance.

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films he plays a character who is Jewish, as Dalio was in real life. In fact, in most of the French films he's in the 1930s, he almost always plays shady characters, informers, blackmailers and gangsters. In other words, he is always "the Jew." When the Nazis invaded France in 1940, he fled to America and appeared in CASABLANCA and TO HAVE AND HAVE NOT. In America, he was no longer the Jew but The Frenchman. He became, in dozens of films, America's idea of a typical Frenchman. His film career has these two strands in which he has two different identities. Are you defined by other people and their perceptions of who you are? Are you always a creation of the way people want to see you? Or can you exist outside of the arbitrary boundaries which are placed on you?

A stuffy old civil servant is forced to retire during World War II, but when his son, a Navy submariner, is lost at sea and his city is heavily bombed by English bombers, his old patriotism is re-awakened and he determines to be of use to his country once again

A personal film about grief and farewell, about serenity and arrival as well as reunion and retrieval.

A Vietnam veteran who has become a drifter helps a young, single mother avenge her brother's murder and finds himself the target of a gang of dope smugglers on the Mexican border.

Johnny, a young man living in the UK, works tirelessly at a restaurant run by his ruthless boss, who values profit over people. Johnny hasn't seen his mother, who lives in Nepal, for five years. Despite his longing, his boss refuses to grant him time off when his mother invites him to celebrate the Dashain festival together, a cherished tradition involving family and festivities. Heartbroken, Johnny is forced to postpone the reunion, promising his mother he'll come next year.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

They have partied through their 20s. Now, Tamara, Ponek and Sierzput have to figure out what to do with their lives. Tamara is a feminist, but also a hopeless romantic. Sierzput has just won his girlfriend back, but is struggling to hold on to her. And out of sheer boredom, Ponek has broken her own rule number one and has started sleeping with her friends. Three lives, intertwined in a fog of cigarette smoke and canned beer during a long summer in concrete-grey Warsaw, where the desire to party to the early hours is never far away. The Danish director Karl Forchhammer’s film is an entertaining and existential tale with raw edges.

In this experimental Iranian film, a being who has turned its back on the familiar and ordinary daily life embarks on a quest to find an escape to the beyond. It eventually reaches those who have already attained liberation and joins them. Leaving behind the ruins of its past days, it becomes part of another group of beings from a different world.