If You Can’t Larp, You’ll Cry - is an experimental video performance work featuring Li Yi Fan, Harrison Hall and Mat Spisbah. The work scrutinizes the shift in digital media production brought about by the subscription economy and the implications of not owning but merely accessing software. It explores how these tools have changed the way we communicate, and created new desires for understanding and connection. Through the work, the group speculates that services and hacks to use video technology could construct a new politics of life by projecting a totality yet to come.

'Day of the Fight' shows Irish-American middleweight boxer Walter Cartier during the height of his career, on the day of a fight with black middleweight Bobby James, which took place on April 17, 1950.

A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Alex, Antoine, Jeff and Manu. Four friends, four years later. Their relationships, friendship, shared secrets, feelings of guilt and their desire to change and improve.

A turbulent day in a life, painted by air.

In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't profitable enough, so he figures to hit the big time by kidnapping the daughter of a rich man.

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

This film puts you inside the head of a dyslexic child trying to get through the 5th grade in the 1970's.

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.

An alien creature invades New York's punk subculture in its search for an opiate released by the brain during an orgasm.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.

The Griswolds win a vacation to Europe on a game show, and so pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don't know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language.