Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Based on Marc Camoletti's play "Boeing Boeing", the story follows the womanizing exploits of Mounir (Fouad El Mohandes), an air traffic controller juggling five different air-hostess girlfriends from all over the world. His fiancée Mona (Shouweikar), an Egyptian air-hostess, threatens to dump him if he doesn't quit his playboy lifestyle. Mounir thus decides to seek help from a prominent - albeit sexually frustrated - psychiatrist (Abdel Moneim Madbouly).

Raja, the eldest of three brothers, finds out that he is adopted and is shocked to learn the truth. To make matters worse, his brothers start avoiding him but he helps them when they land in trouble.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

A series of original solo vignettes centering on the actor’s eyes, mouth or hands, offering a form of escapism during the Covid-19 pandemic.

The Cholurpalya Strikers team dream of winning the galli cricket tournament, which they've consistently lost in the finals to the Malleswaram Rockers. Will they be able to do it when the winning stakes are at an all time high?

Filmed over two years, this new documentary takes an exclusive inside look at Tony-winning director Marianne Elliott’s creative process of bringing a reimagined gender-swapped production of Stephen Sondheim and George Furth’s musical Company to Broadway during the COVID-19 pandemic. Featuring rehearsal and performance footage, plus new interviews with Elliott, Sondheim, Katrina Lenk, Patti LuPone and members of the original 1970 cast, the broadcast tells the story of the show’s Broadway debut in a city on the verge of bankruptcy to its reimagination 50 years later as both Broadway and New York City emerge from one of the greatest crises in contemporary history.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.

A taxi driver (Quaid) pounds Zen parables (if time money, is time the root of all evil?) into his passenger in a high-speed, idiosyncratic tour of their city's ethnic coteries. All the boy wants is to dispose of his date's dead dog and get back to the babe who's so hot she mutters darkly about being a pressure cooker.

Mara, a hard-working widow woman brings up his two children in a developing idustrial Transylvanian town.

A horror novelist and his wife go to a house in the country for a short vacation. However, they soon find that one of his novels is coming true when they are haunted by the ghost of a drowned ferryman.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.