Goofy goes duck-hunting.

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

Filmed record of a burlesque performance.

Marilyn is English and lives in a relationship with a French woman, until the day she makes a mistake and gets kicked out of her girlfriend's apartment. She then finds herself on the street, wandering aimlessly, at the risk of meeting bad people.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

The story follows a boy named Quon and others who suddenly wake up with supernatural powers.

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

Archaeologist Nicholas Zavaterro and his student find an antique vase with an inscription that points to where Noah's Ark is hidden. They decide to go looking, but things get out of control when they encounter opposing forces, including a monster named Tama.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.

"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice

In a post-apocalyptic Texas, a band of warriors fight against a fascist regime that is trying to take control of all surviving population.

Jordan White, a publisher friend of Perry, is called to a hotel where a guest, famous horror writer David Hall, has cleared out the hotel for a weekend and has called his "friends" - an actress, a fortune-teller, David's private assistant and the two remaining staff at the hotel to discuss business. They have come to the hotel as all of them are going to sue David over his new book - "The Resort" which characters are obviously based on Jordan and the guests. A practical joker, David plays tricks on them until he is thrown from the high tower of the hotel where Susan Warrenfield, the manager and owner of the hotel sees the fall and then Jordan at the tower causing the police to arrest Jordan. While Perry and Della try to solve the main mystery, Paul tries to find out who is trying to scare Susan away from the hotel. Could it really be a ghost or a more earthy visitor?

Surrealist short feature about common tricks of uncle Pepin and the young Bohumil Hrabal.