In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Prompted by the death of his father and the grief of his mother, a man recalls the story of how they met in flashback.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a coworker and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

A 28-year-old single woman is pressured to marry.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

Legendary swordplay filmmaker Hideo Gosha's Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogun’s gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.

Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.

Jonathan, a kind-hearted young man, is released from prison due to lack of evidence. He returns to his mother who lives in a small house by the dunes. Jonathan wants to forget the past and is determined to become a different and better person. But even though he strictly adheres to the rules, his good intentions are soon put to the test when a young woman moves in next to him with her small daughter.

Scenes of life in Eastern Europe after the collapse of the Eastern Bloc.

German director Wim Wenders tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu and finds a very different city.

In 1965, the space station JSS-3 is destroyed by a fleet of UFOs, which then begin a global siege on Earth, using rays to manipulate gravity and control the minds of men. In response, a global council meeting is held to determine the source of the attacks and prepare a rocket ship armada for a counter-attack, a true battle in outer space. . . The film is a sequel of sorts to Toho's THE MYSTERIANS in the reprise of the Etsuko Shiraishi character of that film as its heroine. It was edited to 74 minutes for its American release.

A young Belgian is incited by his imam to view a teacher as an apostate and assassinate her; after he fails, he is sent to juvenile reform.

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

A young boy takes interest in piano while his family begins to disintegrate around him after his father loses his job.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.