The story of a documentary film crew looking for a black leopard in South Africa.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

For nine years in the 1950s, Jan Troell worked as a teacher at the Sorgenfri primary school in Malmö (an experience he drew on for his study of a teacher's relationship with his class, Ole dole doff (Who Saw Him Die?) in 1968); he lived in a house once occupied by Ingmar Bergman. In Malmö, Troell made his first film, Stad (The City), about a day in the life of Malmö, showing the life of the people from dawn until dusk.

A socialite only realises that her friend is in love with her when she falls for the wrong man.

Pferdebusen (Horse Boobs) is the fifth part of a series based on Arthur Schnitzler’s Dream Story. In the text, Katrina Daschner is interested in the ambiguity of fiction and reality, and the tension of unrealized sexual desires. She deconstructs this framework in her development of queer relationship scenarios. In Pferdebusen the filmmaker masterfully succeeds in staging the ruptures and irritations that are so essential for showing and wanting, with subtle humour and grandiose human and non-human actors.

A Fiction Writer and her sister travel to the country to work on a new novel. But, local thugs and a murder complicate matters.

Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.

Swedish writer Stig Dagerman (1923-1954) was a literary sensation who after a few productive years, suddenly fell silent. Struggling with writer's block, Dagerman wrote the essay "Our Need for Consolation" about his inner demons and his quest for freedom. For the first time in English, featuring Stellan Skarsgard as an on-camera narrator, this film brings Dagerman's powerful words to life in the form of a visual poem.

Together three siblings go through otherworldy lengths to deal with their dad's evil girlfriend.

When career criminal John - the character from Clausen's drama-comedy »Temporary Release« (2007) - is granted parole, he hastens to Jutland to visit his son who is in difficulty. John might be a dedicated father, a perfect employee, and a great line-dancer, but life isn't exactly plain sailing.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

After his mother death a sixteen years old Sergey suddenly finds out that his father is alive and well.

This movie presents 7 days of a secret agent's life. Unlike most other movies that glamorize secret agents, this one shows the routine, nitty gritty work.

A mercilessly humorous portrait of the filmmaker who, in a desperate attempt to save her relationship, visits all her ex-boyfriends.

Ji-hye is a once-successful and beautiful swindler, who recently begins failing with her cons and dreams of changing her small-job life. Before her retirement, she decides to take on one last job which could change her whole life: seducing the son of a wealthy art broker family to steal the golden treasure hidden in their se- cret mansion. With the help of her daughter Ju-young, she succeeds in earning the trust of the family but it turns out to be a never ending battle. Can Ji-hye and Ju-young find the legendary treasure and start a new life?

The diagrammatic space first entered in Diagram Film becomes the stage for temporal, rhythmic, informational and spatial play with a single diagram (a 144-drawing cycle) that refers to the film and animation process, animation history, specific filmmakers and other encoded data. The arrangement of the drawings for each of the five sequences was improvised on the animation during the act of shooting, creating five variations and possible readings of the animated composition.