"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

A vampire named Bathor turned an entire village to vampires, stuck around long enough to teach them to survive, and then promised to return in 2000 years after conquering the rest of the continent. The only problem with this plan is that the vampires, although immortal, have only a limited capacity for memory. As time passes, they forget their utopian society and led by the totalitarian zealot Grando, become paranoid, superstitious fundamentalists, splitting their society by race and gender lines, seeking to destroy those who are deemed sinful. Long-forgotten lovers Élisabeth and Fantine find that, with the help of those who were banished in the past, it is their fate to piece together the past and help preserve the little that remains before Bathor’s impending return.

When Jen's son disappears during a game of hide-and-seek she unwittingly embarks on a journey through time to find him.

Why Ahmadiyyas are not Muslims is an open letter to Mirza Masroor Ahmad, the current leader of the Ahmadiyyas.

A lawman takes on gangsters attempting to steal property wanted for a railroad.

A handsome barber in Sweden doesn't know he's actually the Crown Prince of a Balkan kingdom in this charming Swedish-German comedy that effortlessly weaves together multiple Ruritanian tropes.

A self-portrait documentary of Dusan Makavejev who travels to former Yugoslavia, and charts the changes of the society which parallels to his own life.

4 culinary students make an interesting stew that leads them on an adventure.

In the year 2035, survivors of a now almost completely evacuated post-apocalyptic Britain compete for a government bounty to retrieve a mysterious bio weapon known only as Unit Eleven.

Have you ever wondered what happens to Autons between programmes — when they're "resting"? This is the story of one such Auton and his search for a career after the BBC threw him out onto the streets... and how he found BBV!

A short student-made documentary that details the creation and operation of the Cornish underground event management business "Pakt Events"

The host of a failing television show starts making up live news. However, the things he says on air begin to actually happen.

Destruction and betrayal take center stage in the latest installment of the New Fist of the North Star series. When Kenshiro returns to find the city in ruins and its citizens tormented, his pain is compounded when he is betrayed and imprisoned by Tobi. As Tobi prepares a brutal assault on Seiji, Kenshiro must summon all of his strength to break free and take put a halt to his former friend's destructive scheme.