The story is about Thilakan and his two adopted sons, one of them blind, Unni (Sreenivasan), and the other one deaf, Balan (Mukesh). The story takes a turn when the sons marry and their in-laws try to steal the family money. Krishnankutty (Jagathy) is the clever but honest caretaker for the deaf and blind siblings who is constantly at odds with their in-laws. The father (Thilakan), carries the burden of sorting things out.

George Kutty is a hard working student, who graduated with top rank in college as an engineer. His family which was once rich is burdened in debt. His father meets with Chandi a marriage broker who proposes a match for Georgekutty with a rich family, but they would have to lie a little about their economic status. George Kutty resists first, but pressure from his dad who sees the marriage as a way to get money to payback the family debts, he agrees. Unfortunately the Itichen finds out the truth about the family and confronts them. He makes Georgekutty and his family agrees to certain terms for the wedding to take place including that Georgekutty and his wife have to stay in their house with them. After the wedding Georgekutty sees that he and visiting family and friends are disrespected and that he is controlled and held like a prisoner at Itechan's house. Georgekutty comes up with a plan to get back at his father in law which forms rest of the movie.

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

A spokesman rises to the top of the Greater Boston area spokesperson game.

A video strategy guide tutorial released by Game Player's magazine that covers Mega Man 2, River City Ransom, Ninja Gaiden and Wrath of the Black Manta.

Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

During a cataleptic fit, Montel is buried alive, a burial plotted by his greedy wife Sofia with several men, including her lover, Montel's doctor. Exiting his grave, Montel goes on a sexual rampage.

Green Day played the Woodstock festival on the South Stage on August 14, 1994, 6 months after their first major-label album Dookie was released. The performance was one of the most memorable of the festival, with the band getting involved in a mud fight with their fans.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".

Steffen and Lennart wake up after a long party night. Having a bad hangover they accidental kill one of the other party guests. In a series of vignettes we get to know several people who are all involved in the situation. A film about the fact that, we often expect more of others than of ourselves and how difficult it is to accept that we are responsible for our actions.

Speculative "documentary" about alien visitations on Earth, UFO sightings and how aliens are responsible for pretty much every conspiracy theory, paranormal encounter and cryptozoological sighting in history. (Also Jesus. No, really.)

A young woman sits down in a chair. Only her mouth is visible as she begins to speak at a rapid clip, describing events that she insists did not really happen to her.

Sonic Villains follows Eggman after the events of Sonic Forces as he uses the last of the mysterious Phantom Ruby to gather villains across EVERY SONIC UNIVERSE to regain control, and destroy Sonic in the craziest battle he's faced yet.