Dino González has the appearance of an old-time rocker. He lives in the Chapinero area and works as a hairdresser. As fate would have it, he becomes entangled with a police sergeant who initially sees him as a delinquent and wants to send him to prison, but as time goes by she begins to change her conception of Dino.

An imaginary friend is forced to consider retirement when his creator/best friend starts to grow up.

A documentary film about Studio One which, from 1974 to 1994, was the center of queer nightlife in West Hollywood as well as the staging ground for the rise of the LGBTQ rights movement and fight against the AIDS crisis.

A cinema-verite approach to this mystery story about the death of a young girl in a village adds credence to the story itself, it is as though the audience were following along with a real investigation instead of simply watching a narrative unfold. An inspector and his police team arrive to find out why the young girl drowned -- under suspicious circumstances -- and start to work interviewing the villagers. Shown in close-up and individually on the screen, each witness contributes to a growing knowledge that the girl was sexually assaulted and beaten before she died, and the real mystery is why no one reacted to the horror. As the interviews continue, the inspector realizes it will not be easy to extract the whole truth from any of the guarded, close-mouthed villagers.

After leaving boxing, Stéphane is employed as a bodyguard for a politician. One night, Stéphane and his friend Pierre-Marie confront some belligerent billposters. Pierre-Marie is murdered. For Stéphane, the anger is so strong that he pursues the murderer, who dies accidentally. Accused of the crime, Stéphane seeks help from a journalist, who will help him get his side of the story heard.

1941 was Francis Lee's first film; CH'AN his last. In between, he became an expert Sumi-e watercolorist and here he combines eloquent ink paintings with masterful animation methods. This film moves through mysterious shapes, takes the viewer on an explosive meditative journey across the imaginary landscapes of his creations.

The jealous King Leontes falsely accuse his wife Hermione of infidelity with his best friend, and she dies. Leontes exiles his newborn daughter Perdita, who is raised by shepherds for sixteen years and falls in love with the son of Leontes' friend. When Perdita returns home, a statue of Hermione "comes to life", and everyone is reconciled.

A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.

Stephen Milner is a solicitor, but he fits uneasily into the world of Lewis Strange and Partners, who are an upmarket firm of solicitors. The film follows Milner's fraught relationship with a lucrative client, Ron Jesson. When one of his offices goes up in flames, the press are convinced that Ron arranged the fire for insurance purposes. Milner also has to cope with an estranged wife, batty mother and debt ridden younger brother.

Sierra Young is a rising ingénue, making $10 million per picture. She's also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she's run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie's grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler's production of "Taming of the Shrew." Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?

Italian slapstick actor Robinet riding a bicycle.